I'm not going to assert that Barcelona was disappointing. On the contrary, it was a lot of fun, a thoroughly enjoyable trip. Evidently it was supposed to be a "life-changing" experience, though, and that it just wasn't. Maybe if you're the type that organizes weekend trips around bars and getting drunk, Barcelona is the place to be. I don't necessarily subscribe to that method of travel... oh well. Then again, the guide to Bruges told me not to spend any money on chocolate (and spend it on beer instead) and that I didn't care about the Michaelangelo sculpture in the cathedral. So perhaps I just don't fit into the "backpack across Europe" stereotype either.
So far, Rome has been the closest thing to "life-changing" that I've seen. It was a Bad Idea to attempt to see all of it in a day, that's for sure. How do you do Rome in a day? Simple: skip the Fountain of Trevi, the Pantheon, the Circus Maximus and Old Appian Way, the Capitoline Museums, and the Vatican Museum. Clearly, that's not idea. So, in the spirit of the multitude of travel guides that I've relied on thus far, here's my advice on seeing Rome.
Before you arrive, you'll need to consider where to stay. There are three things you want in a hotel: location, quality, and value. Pick any two. You will not be able to find a cheap and decent hotel in the city center. For that matter, you will probably not be able to find a cheap hotel at all, regardless of quality, in the city center.
Don't try to see the Eternal City in anything less than three and a half days. Arrive one day in the afternoon or evening, and don't rush out to any of the premiere destinations that day. Instead, get some coffee or gelato, wander by the Fountain of Trevi, or do anything else that doesn't demand a huge investment of sightseeing effort.
The next day, wake up early enough to get in line for the Colosseum the second it opens. The line for the Colosseum is enormously long, though it moves faster than you might think. Gawk at the men who have the best jobs in all of Rome: the costumed gladiators who point their swords in the right direction to get in line. Once you're inside, have fun archaeologing it up. The ticket costs eleven Euros, and don't bother trying to get a student discount unless you're a student who lives in an EU country. That doesn't include taking classes in an EU college if you're not a citizen. If the eleven Euros doesn't seem quite worth it once you've gotten there, I sort of agree. For pure ruin potential, Pompeii is much better and a Euro cheaper. Luckily, that ticket also allows you admission up the Palatine Hill and the gardens and ruins there. You'll see the Roman Forum below you; don't be tempted to see that today. Spend a little quality time on the Palatine: after you've walked around the Colosseum and up the Palatine, the gardens are an excellent place to relax. Eat. Now go a bit to the south, and see even more of the ancient landmarks, like the Circus Maximus and the Old Appian Way.
Next day, devote the entire thing to the heart of the ancient city. Start with the Roman Forum, and see the temples, the Arch of Septimus, the New Senate House, and the original SPQR arch. If you can, try and stumble upon a guided tour. I managed to find one that was at once free and extremely informative.
I'm a bit of a Roman history/culture geek, and even I learned some things about how ancient Rome worked. For instance, the reason the Christians were persecuted in Rome wasn't because of their belief in Jesus. On the contrary, the Romans were the most religiously tolerant empire until the Mongols, twelve centuries later. The persecution only came when they refused to bow before the image of the God-Emperor Julius Caesar. The tour guide likened this to JFK in America: an extremely popular leader who was killed. What if his successor, Lyndon Johnson, built a temple to JFK in the National Mall near the Capitol building and made the entire country pay their respects to him as a god?
See the rest of the Forum. Eat. Now walk up the next hill, the Capitoline, and spend the rest of the day in the museums there. You can see ancient artwork and statue dating back from Etruscan times.
Last day, see the Vatican. If you're of a religious (ie, Catholic) bent, go to a Mass here; you'll need a special pass that you can only get a few days beforehand. I don't know how to go about that. The Basilica itself is too touristy, with a line almost as long as the Colosseum to get in and half of it roped off at any give point. But it's still impressive. Be sure to see the Pieta. Go see the treasury, which showcases the immense power and wealth of the early church, located in the basilica itself. Gawk at crystal monstrances and cloth of gold vestments. Afterwards, climb the steps or take the elevator to the dome. Finally, see the grotto, with tombs of most popes since 1300. Eat. Devote the rest of the day to the Vatican Museum, which is supposed to be really impressive. Just be sure to make sure it's open. Specifically, don't go on Sunday, unless it's the last Sunday of the month. Get there before about 2 pm; otherwise you might not be let in.
Now have some more coffee or gelato, and you're done!
Currently listening: "Oh Comely," Neutral Milk Hotel
Tuesday, June 19, 2007
Wednesday, June 06, 2007
Nostalgiae
A few weeks ago, in the Gwinnett section of the AJC, a graduating senior from UGA offered a column of her advice to graduating high school seniors. This proved two things: 1) the high school-college transition is about the same level of "complete paradigm shift" no matter where you're leaving from or going to, and 2) people from UGA actually can do at least a few things well. I have my own spin on this, in part inspired by the recent high school graduation of many of my friends, and in part by things I miss from back in the States.
To begin, enjoy your high school graduation. Yeah, I know that's a couple weeks late (but hopefully not too many dollars short)--maybe make some internal conversions to past tense or something. Two years ago at this time of year, I started to run out of sheet cake from my own graduation... hopefully you still have some left. This is almost certainly the biggest event of your life to this point. Aside from your birth (which I'll wager you don't remember too well) and perhaps a handful of religiously significant occasions, this is the one time where so much attention has been focused on you. High party concentration, lots of generous relatives, and the chance to see all those people one last time is sure to be memorable.
Advice for graduating seniors regarding the summer:
First and foremost, appreciate your hometown. You know that "barely a step above ghetto" movie theater downtown? The one where at any given time for the past five years, you had a decent shot of knowing at least somebody working there; the same one where sneaking into movies wasn't even worth the challenge because it was so easy? As strange as it sounds, you're going to miss it. Because, wait, that was also the place where you had your first real date. The place where your friend famously smuggled in a pound bag of ginger snaps and a quart of milk. Heck, for its sort of crapped out condition now, you remember when it was built when you were just a kid.
You also, of course, know that Steak and Shake right next door to it; the only place in miles (besides any one of seven Waffle Houses) that you can get any food after your 9:30 movie finishes; the one where you actually started to get to know the waitress because it seemed there were only ever two people working there at midnight. Remember that Steak and Shake well.
Maybe you've taken an interest in local politics, maybe not. Maybe you use your county parks, and maybe you don't. Maybe you care about local events, new businesses, fairs, and hometown doings, and maybe you couldn't care less. Chances are, though, your little corner of the world means at least something to you, and you might be surprised at how much you miss it in the fall.
Appreciate your car, too. As a graduating high school senior, there's a good chance that you at least have access to a car. By "have access to" I don't necessarily mean your name is on the title. You may or may not be the primary driver. But to get to any given place at any given time, there's at least a decent chance you can procure some manner of motor vehicle. That's not necessarily going to be the case in college. On some campuses, parking is so abundant, affordable, and convenient that there's practically no reason not to bring your car. At others--my own Georgia Institute of Technology among them--it's damn expensive to get a space that might be a half mile walk from your dorm room anyway.
Therefore, the corollary to "appreciate your car" becomes "get used to walking." Things are surprisingly far away when you start having to hoof it over there on your own. Oh, sure, you can rely on your college's bus/shuttle/trolley/generalized people mover system, but it turns out that one Immutable Law of College is your college's public transportation is never effective. Maybe it's inefficient, maybe it doesn't go the places you need it to, maybe it's overcrowded, maybe it's on the unsanitary side. Probably, it's some combination of the above to which any given college student can add his own bdelygmia.
This summer, watch what you eat. Dietarily, I recommend eating less popcorn and fewer Pop-Tarts, cutting back on macaroni and cheese by at least half, and avoiding ramen entirely. No, this blog hasn't turned into Health Food Lovers Anonymous. But you will eat more of those foods in college than you ever thought possible. "Wait, Easy Mac and ramen, that's a total college kid stereotype!" Well, yes, it is. It also happens to be entirely true. The girl who wrote the article in the AJC suggests "Eat your mom's cooking. You will miss it. A lot." That's excellent advice too.
While you're busy eating your mom's cooking, do as little as possible this summer. Okay, I don't actually mean that. A better phrasing might be "do as little as possible that you don't want to do." Specifically, don't be in any sort of hurry to get a job. If you genuinely like working, sure, keep your job. If financially you need it to support your Out of State habit, that's acceptable. But between summer internships, summer classes, study abroad programs, and finding yourself by backpacking from Dar es Salaam to Nairobi, you're going to be awfully busy during your college summers. After you graduate from college, let's face it, there's not going to be any summer discretionary time anyway.
Finally, have fun preparing for college. Take advantage of any parental offers to buy anything for you, whether it be dorm furnishings, food, clothing, books, or whatever. As that AJC article pointed out, this is going to be the last time until your wedding that your parents are going to be so willing to spend money on you. And that's probably a long way away.
Now a few things not be to be so nostalgic about:
Forget high school sports. Maybe not entirely--it can be a lot of fun to go back and see a football game. If you went to a Shiloh-style high school, you can relive the good old days of having about a 3 in 4 chance of watching your team lose. You're probably thinking "but I like high school football! I always had fun there." Probably. Once you've been to a college football game, though, this will make perfect sense. From the scent of frat-boy flasks being broken out in the first quarter to their drunken dates asking you what inning it is; from screaming your lungs out with friends to "instant social program" with the residents; from devastating defeats to thrilling last-minute comebacks, there are reasons why the football game is the premier college entertainment. And aside from trying to predict whether your team will lose by four or five touchdowns, high school football doesn't hold a candle to it.
Bid a good riddance to high school drama. (This isn't about theatrical productions, but those are probably better in college than in high school too.) Oh, that's not to say that drama doesn't exist in college--quite the contrary. It's just better drama. Often, high school drama isn't all that far removed from "Do you like me? Check yes or no." College drama, on the other hand, isn't too far removed from that guy you've known since he was 13 getting married. Of all the things to leave behind from high school, being that 15 year old emo kid who spends the night with friends talking about which girls you love and how you;re never going to get any of them... that's a good one to forget.
In the fall, look forward to a sort of companion piece to this one, which will be a discussion of what to do once you're actually in college. For now, enjoy the summer... you'll miss them.
Currently listening: "Jenny Was a Friend of Mine," the Killers
To begin, enjoy your high school graduation. Yeah, I know that's a couple weeks late (but hopefully not too many dollars short)--maybe make some internal conversions to past tense or something. Two years ago at this time of year, I started to run out of sheet cake from my own graduation... hopefully you still have some left. This is almost certainly the biggest event of your life to this point. Aside from your birth (which I'll wager you don't remember too well) and perhaps a handful of religiously significant occasions, this is the one time where so much attention has been focused on you. High party concentration, lots of generous relatives, and the chance to see all those people one last time is sure to be memorable.
Advice for graduating seniors regarding the summer:
First and foremost, appreciate your hometown. You know that "barely a step above ghetto" movie theater downtown? The one where at any given time for the past five years, you had a decent shot of knowing at least somebody working there; the same one where sneaking into movies wasn't even worth the challenge because it was so easy? As strange as it sounds, you're going to miss it. Because, wait, that was also the place where you had your first real date. The place where your friend famously smuggled in a pound bag of ginger snaps and a quart of milk. Heck, for its sort of crapped out condition now, you remember when it was built when you were just a kid.
You also, of course, know that Steak and Shake right next door to it; the only place in miles (besides any one of seven Waffle Houses) that you can get any food after your 9:30 movie finishes; the one where you actually started to get to know the waitress because it seemed there were only ever two people working there at midnight. Remember that Steak and Shake well.
Maybe you've taken an interest in local politics, maybe not. Maybe you use your county parks, and maybe you don't. Maybe you care about local events, new businesses, fairs, and hometown doings, and maybe you couldn't care less. Chances are, though, your little corner of the world means at least something to you, and you might be surprised at how much you miss it in the fall.
Appreciate your car, too. As a graduating high school senior, there's a good chance that you at least have access to a car. By "have access to" I don't necessarily mean your name is on the title. You may or may not be the primary driver. But to get to any given place at any given time, there's at least a decent chance you can procure some manner of motor vehicle. That's not necessarily going to be the case in college. On some campuses, parking is so abundant, affordable, and convenient that there's practically no reason not to bring your car. At others--my own Georgia Institute of Technology among them--it's damn expensive to get a space that might be a half mile walk from your dorm room anyway.
Therefore, the corollary to "appreciate your car" becomes "get used to walking." Things are surprisingly far away when you start having to hoof it over there on your own. Oh, sure, you can rely on your college's bus/shuttle/trolley/generalized people mover system, but it turns out that one Immutable Law of College is your college's public transportation is never effective. Maybe it's inefficient, maybe it doesn't go the places you need it to, maybe it's overcrowded, maybe it's on the unsanitary side. Probably, it's some combination of the above to which any given college student can add his own bdelygmia.
This summer, watch what you eat. Dietarily, I recommend eating less popcorn and fewer Pop-Tarts, cutting back on macaroni and cheese by at least half, and avoiding ramen entirely. No, this blog hasn't turned into Health Food Lovers Anonymous. But you will eat more of those foods in college than you ever thought possible. "Wait, Easy Mac and ramen, that's a total college kid stereotype!" Well, yes, it is. It also happens to be entirely true. The girl who wrote the article in the AJC suggests "Eat your mom's cooking. You will miss it. A lot." That's excellent advice too.
While you're busy eating your mom's cooking, do as little as possible this summer. Okay, I don't actually mean that. A better phrasing might be "do as little as possible that you don't want to do." Specifically, don't be in any sort of hurry to get a job. If you genuinely like working, sure, keep your job. If financially you need it to support your Out of State habit, that's acceptable. But between summer internships, summer classes, study abroad programs, and finding yourself by backpacking from Dar es Salaam to Nairobi, you're going to be awfully busy during your college summers. After you graduate from college, let's face it, there's not going to be any summer discretionary time anyway.
Finally, have fun preparing for college. Take advantage of any parental offers to buy anything for you, whether it be dorm furnishings, food, clothing, books, or whatever. As that AJC article pointed out, this is going to be the last time until your wedding that your parents are going to be so willing to spend money on you. And that's probably a long way away.
Now a few things not be to be so nostalgic about:
Forget high school sports. Maybe not entirely--it can be a lot of fun to go back and see a football game. If you went to a Shiloh-style high school, you can relive the good old days of having about a 3 in 4 chance of watching your team lose. You're probably thinking "but I like high school football! I always had fun there." Probably. Once you've been to a college football game, though, this will make perfect sense. From the scent of frat-boy flasks being broken out in the first quarter to their drunken dates asking you what inning it is; from screaming your lungs out with friends to "instant social program" with the residents; from devastating defeats to thrilling last-minute comebacks, there are reasons why the football game is the premier college entertainment. And aside from trying to predict whether your team will lose by four or five touchdowns, high school football doesn't hold a candle to it.
Bid a good riddance to high school drama. (This isn't about theatrical productions, but those are probably better in college than in high school too.) Oh, that's not to say that drama doesn't exist in college--quite the contrary. It's just better drama. Often, high school drama isn't all that far removed from "Do you like me? Check yes or no." College drama, on the other hand, isn't too far removed from that guy you've known since he was 13 getting married. Of all the things to leave behind from high school, being that 15 year old emo kid who spends the night with friends talking about which girls you love and how you;re never going to get any of them... that's a good one to forget.
In the fall, look forward to a sort of companion piece to this one, which will be a discussion of what to do once you're actually in college. For now, enjoy the summer... you'll miss them.
Currently listening: "Jenny Was a Friend of Mine," the Killers
Tuesday, June 05, 2007
Things Liked and Disliked, In Brief
Europe is a lot of fun, no doubt about it. But if there were an official Bureau of Complaints Against Europe (such a thing probably exists in Brussels), I would have the following to register:
Graffiti. Seriously, people. Spraypainting "socialisme" on a fence on the outskirts of Barcelona is not a cutting-edge political statement. If you've never been to Europe, think of the intersection of Boulevard and Memorial Drive and multiply the amount of graffiti you anticipate by about ten. I don't know if it's more graffitiers, fewer resources dedicated to getting rid of it, or just an overabundance of spray paint available. It's a big problem, whatever is causing it. It makes otherwise beautiful and historic cities look rundown.
And on the other side, for the Bureau of Good Things about Europe:
Old-fashioned granny-run hotels. It's nothing short of amazing when you can hand a little old lady a 50 Euro bill and get a medieval looking key to a three bed room in return, no questions asked. No Spanish? Doesn't matter. As long as a private shower and a fancy bar of soap to take home aren't your top priorities, you're good to go.
Look again at Photobucket, this time updated with Spain picutres.
Currently listening: "Sea Songs," Vaughan Williams
Graffiti. Seriously, people. Spraypainting "socialisme" on a fence on the outskirts of Barcelona is not a cutting-edge political statement. If you've never been to Europe, think of the intersection of Boulevard and Memorial Drive and multiply the amount of graffiti you anticipate by about ten. I don't know if it's more graffitiers, fewer resources dedicated to getting rid of it, or just an overabundance of spray paint available. It's a big problem, whatever is causing it. It makes otherwise beautiful and historic cities look rundown.
And on the other side, for the Bureau of Good Things about Europe:
Old-fashioned granny-run hotels. It's nothing short of amazing when you can hand a little old lady a 50 Euro bill and get a medieval looking key to a three bed room in return, no questions asked. No Spanish? Doesn't matter. As long as a private shower and a fancy bar of soap to take home aren't your top priorities, you're good to go.
Look again at Photobucket, this time updated with Spain picutres.
Currently listening: "Sea Songs," Vaughan Williams
Wednesday, May 30, 2007
Insights from a Master of Trivia
Review: Brainiac, by Ken Jennings
On my British Airways flight across the Pond, halfway between the free wine and free cappuccino, I started to read Ken Jennings' book. If you haven't heard of Ken Jennings, here's a quick primer: http://en.wikipedia.org/wiki/Ken_Jennings. In a nutshell, he's the guy who won Jeopardy! seventy-four consecutive times and raked in over two and a half million dollars. His book integrates three "spheres" of trivia culture: his own Jeopardy! experiences, various depictions of the American trivia scene (mostly focusing on college quiz bowl teams), and actual trivia questions to be answered by the reader.
It's a wonderfully entertaining book, and I'm not surprised. Looking at Jennings' demeanor while he was on Jeopardy, he's easygoing, conversational, and clever. In fact, Jennings reminds me of myself... granted, a somewhat more knowledgeable and much more successful me. He writes a lot like I do, too, with the critical distinction that he actually has something worthwhile to talk about.
One of the main themes of the book is the relationship between intelligence and success on Jeopardy. A cursory look at the situation would probably suggest that of course a smart person is going to succeed at Jeopardy because he knows lots of things. Jennings disputes this, saying that there is indeed a link between intelligence and Jeopardy success, but that it has comparatively little to do with knowing stuff. He himself knows a lot of stuff, and he's a smart man. But knowing stuff doesn't exactly translate into being intelligent, or vice versa. Jennings admits to being a "pretty mediocre computer programmer," acknowledging that his success in trivia and his mastery of information doesn't necessarily make him good at anything except knowing things.
Knowing things, of course, is a valuable skill to have on Jeopardy. But it's not the only skill. Another skill, the one that does have a direct connection to intelligence, is knowing how to play the game. It's things like knowing what time to press the button, how to wager well, and what the questions are going to be about. This last one was particularly important to Jennings: the most-asked topics on Jeopardy include US presidents; opera, ballet, and 19th-century poetry; and alcohol. The first was an old standby from college quiz bowl days, so that was an easy one. The next three didn't naturally appeal to Jennings as a computer programmer--who knows what the differences between Wordsworth, Keats, and Longfellow are? The last presented a problem as a Mormon--after making mixed-drink flash cards to study from, Jennings says that he could make a hell of a bartender even though he hasn't actually tasted any of those drinks.
Anyone who's ever planning to go on Jeopardy should probably read this book to follow Jennings' advice (look at the number of records on that Wikipedia page). But even if you're not a Jeopardy aspirant, this book is entertaining, insightful, and absorbing. Test yourself as you go through the book (there's even a question about Georgia Tech!) and allow yourself to be amazed by the utter trivia obsession of some of Jennings' contemporaries.
Currently listening: "Run," Snow Patrol
On my British Airways flight across the Pond, halfway between the free wine and free cappuccino, I started to read Ken Jennings' book. If you haven't heard of Ken Jennings, here's a quick primer: http://en.wikipedia.org/wiki/Ken_Jennings. In a nutshell, he's the guy who won Jeopardy! seventy-four consecutive times and raked in over two and a half million dollars. His book integrates three "spheres" of trivia culture: his own Jeopardy! experiences, various depictions of the American trivia scene (mostly focusing on college quiz bowl teams), and actual trivia questions to be answered by the reader.
It's a wonderfully entertaining book, and I'm not surprised. Looking at Jennings' demeanor while he was on Jeopardy, he's easygoing, conversational, and clever. In fact, Jennings reminds me of myself... granted, a somewhat more knowledgeable and much more successful me. He writes a lot like I do, too, with the critical distinction that he actually has something worthwhile to talk about.
One of the main themes of the book is the relationship between intelligence and success on Jeopardy. A cursory look at the situation would probably suggest that of course a smart person is going to succeed at Jeopardy because he knows lots of things. Jennings disputes this, saying that there is indeed a link between intelligence and Jeopardy success, but that it has comparatively little to do with knowing stuff. He himself knows a lot of stuff, and he's a smart man. But knowing stuff doesn't exactly translate into being intelligent, or vice versa. Jennings admits to being a "pretty mediocre computer programmer," acknowledging that his success in trivia and his mastery of information doesn't necessarily make him good at anything except knowing things.
Knowing things, of course, is a valuable skill to have on Jeopardy. But it's not the only skill. Another skill, the one that does have a direct connection to intelligence, is knowing how to play the game. It's things like knowing what time to press the button, how to wager well, and what the questions are going to be about. This last one was particularly important to Jennings: the most-asked topics on Jeopardy include US presidents; opera, ballet, and 19th-century poetry; and alcohol. The first was an old standby from college quiz bowl days, so that was an easy one. The next three didn't naturally appeal to Jennings as a computer programmer--who knows what the differences between Wordsworth, Keats, and Longfellow are? The last presented a problem as a Mormon--after making mixed-drink flash cards to study from, Jennings says that he could make a hell of a bartender even though he hasn't actually tasted any of those drinks.
Anyone who's ever planning to go on Jeopardy should probably read this book to follow Jennings' advice (look at the number of records on that Wikipedia page). But even if you're not a Jeopardy aspirant, this book is entertaining, insightful, and absorbing. Test yourself as you go through the book (there's even a question about Georgia Tech!) and allow yourself to be amazed by the utter trivia obsession of some of Jennings' contemporaries.
Currently listening: "Run," Snow Patrol
Tuesday, May 29, 2007
I Just Can't Wait to be (Deputy) King
Tanna, obscure island in Melanesia. Part of Vanuatu and famous for cannibalism, resistance to modernization, and John Frum cargo cults. And I have a tenuous connection to its royalty.
I know a guy (Forrest) whose dad knows a guy (Dr. Heinz Egli) who may or may not be king of Tanna. He's deputy king at the very least. On this island, there was a legend of a white man who would appear on a raft after an earthquake and a volcano eruption. Enter a man whose name I forget, who is clever enough to sit on a raft during an earthquake and wait for the volcano to erupt (as it does every few minutes). Sailing up to the island, he is hailed as King. Things are happy in Tanna for a while.
Now enter the British, who colonially own the island. They're afraid of an armed rebellion--as well they should be, with the one rifle on the island. A detachment of one hundred soldiers lands on the island to seize its rifle and flag, but the King will have none of it. He gives the British a day to withdraw and return the rifle and flag or he will declare war on them--and on the French for good measure. And after a day of noncompliance, the King of Tanna writes a letter to the Queen of England, the President of France, and the Secretary-General of the United Nations to declare war.
The war is ended in a day when British troops arrest the king and imprison him.
Now enter Dr. Heinz Egli, international activist and advocate for Tanna's traditional movement. He manages to get the King out of jail and help the natives a bit, and for this, he is rewarded the title of Viceroy. A bit of a snag here: he's Swiss, and like the Americans, the Swiss can't accept foreign titles. But a loophole presents itself: the Swiss government wouldn't object to a title that they didn't know the significance of, and English not being an official language of the country, Dr. Egli can accept the title of Deputy King.
Sadly, the King passed away a few years ago, and astonishingly, lines of succession aren't clear in Tanna. Should the Deputy King become King? The King's son? Should an entirely new legend be written to predict the next king? Until this matter is resolved, Dr. Egli is content to be Deputy King.
His duties? Go there once a year and help them to advance while still maintaining traditional customs. Oh, and have songs composed and pigs slaughtered in his honor. Sounds like a fine job to me.
Pictures of Dr. Egli's castle/current home can be found at the Photobucket page: http://s183.photobucket.com/albums/x157/Teravius/ Those interested are encouraged to check the page repeatedly, as new pictures should show up at least weekly for the whole summer.
Currently listening: "Piano Concerto in F," George Gershwin
I know a guy (Forrest) whose dad knows a guy (Dr. Heinz Egli) who may or may not be king of Tanna. He's deputy king at the very least. On this island, there was a legend of a white man who would appear on a raft after an earthquake and a volcano eruption. Enter a man whose name I forget, who is clever enough to sit on a raft during an earthquake and wait for the volcano to erupt (as it does every few minutes). Sailing up to the island, he is hailed as King. Things are happy in Tanna for a while.
Now enter the British, who colonially own the island. They're afraid of an armed rebellion--as well they should be, with the one rifle on the island. A detachment of one hundred soldiers lands on the island to seize its rifle and flag, but the King will have none of it. He gives the British a day to withdraw and return the rifle and flag or he will declare war on them--and on the French for good measure. And after a day of noncompliance, the King of Tanna writes a letter to the Queen of England, the President of France, and the Secretary-General of the United Nations to declare war.
The war is ended in a day when British troops arrest the king and imprison him.
Now enter Dr. Heinz Egli, international activist and advocate for Tanna's traditional movement. He manages to get the King out of jail and help the natives a bit, and for this, he is rewarded the title of Viceroy. A bit of a snag here: he's Swiss, and like the Americans, the Swiss can't accept foreign titles. But a loophole presents itself: the Swiss government wouldn't object to a title that they didn't know the significance of, and English not being an official language of the country, Dr. Egli can accept the title of Deputy King.
Sadly, the King passed away a few years ago, and astonishingly, lines of succession aren't clear in Tanna. Should the Deputy King become King? The King's son? Should an entirely new legend be written to predict the next king? Until this matter is resolved, Dr. Egli is content to be Deputy King.
His duties? Go there once a year and help them to advance while still maintaining traditional customs. Oh, and have songs composed and pigs slaughtered in his honor. Sounds like a fine job to me.
Pictures of Dr. Egli's castle/current home can be found at the Photobucket page: http://s183.photobucket.com/albums/x157/Teravius/ Those interested are encouraged to check the page repeatedly, as new pictures should show up at least weekly for the whole summer.
Currently listening: "Piano Concerto in F," George Gershwin
Thursday, May 24, 2007
Transalpine Gaul
Naturally, if I'm going to be blogging from Europe, I'm going to use the most pretentious terms possible to describe what's going on. And technically, Lyon and Grenoble are not in the Roman province of Transalpine Gaul, but close enough. A few scattered impressions to start things off:
France is energy-conscious, it turns out. Obsessively so. You can't leave the lights on in the hallways, no matter how hard you try: most of them are equipped with 60-second timers. Now, turning off the lights when you leave the room is one thing; not having air conditioning is another entirely. The only building in GTL that's air conditioned is the computer lab, from whence this entry originates. Dorm rooms? Nope. Classrooms? Out of luck there too.
I also don't know how these people stay hydrated. Water fountains are as rare as air-conditioned rooms, and a bottle of water is something extortionary like 2 euros. That makes old water bottles and sinks very valuable things.
The Decemberists have it right: Orangina is an amazing beverage.
The Brits, on the other hand, have some very bizarre tastes in beverage. Here's a new one. The guy next to me wanted tomato juice with his pretzel snack (I got Sprite). I thought that was a little weird, but whatever. The thing is, the attendant, without missing a beat, asks "Worcester and lemon?" to which the guy responds "please." She then proceeds to shake in a few drops of Worcester and put in a slice of lemon and hand it to the guy. Then the same scene repeats with a woman two rows behind me.
On my quest to become a wine snob, I've bought one bottle. It was a Pinot Gris from the Moselle (the river that runs through Metz), a white that was really good chilled. I don't know how to properly use words like "crunchy" or "refreshing minerality" yet, but I'm sure it was both those things too.
The French, for some reason, really like their pizza. But it's bizarre pizza, like Roquefort cheese and onion pizza. As for food, apparently Lyon is the cuisine capital of France, or something. So at the restaurant we went to, I decided to have a Lyonnaise specialty of "(word I can't read) sausage (words I can't read)." This turned out to be tripe sausage, which I believe to be rolled up intestine in a sausage casing. It was chewy and a little bitter, but not terrible.
One of the weirdest things is the cars you see, like Renault, Peugeot, and Citroen. It's almost a breath of fresh air to see good American cars like Toyotas and Mercedes.
And I'm going to be staying in a castle for the weekend.
For those interested, here are some pictures from the first week: http://s183.photobucket.com/albums/x157/Teravius/
Currently listening: "My Slumbering Heart," Rilo Kiley
France is energy-conscious, it turns out. Obsessively so. You can't leave the lights on in the hallways, no matter how hard you try: most of them are equipped with 60-second timers. Now, turning off the lights when you leave the room is one thing; not having air conditioning is another entirely. The only building in GTL that's air conditioned is the computer lab, from whence this entry originates. Dorm rooms? Nope. Classrooms? Out of luck there too.
I also don't know how these people stay hydrated. Water fountains are as rare as air-conditioned rooms, and a bottle of water is something extortionary like 2 euros. That makes old water bottles and sinks very valuable things.
The Decemberists have it right: Orangina is an amazing beverage.
The Brits, on the other hand, have some very bizarre tastes in beverage. Here's a new one. The guy next to me wanted tomato juice with his pretzel snack (I got Sprite). I thought that was a little weird, but whatever. The thing is, the attendant, without missing a beat, asks "Worcester and lemon?" to which the guy responds "please." She then proceeds to shake in a few drops of Worcester and put in a slice of lemon and hand it to the guy. Then the same scene repeats with a woman two rows behind me.
On my quest to become a wine snob, I've bought one bottle. It was a Pinot Gris from the Moselle (the river that runs through Metz), a white that was really good chilled. I don't know how to properly use words like "crunchy" or "refreshing minerality" yet, but I'm sure it was both those things too.
The French, for some reason, really like their pizza. But it's bizarre pizza, like Roquefort cheese and onion pizza. As for food, apparently Lyon is the cuisine capital of France, or something. So at the restaurant we went to, I decided to have a Lyonnaise specialty of "(word I can't read) sausage (words I can't read)." This turned out to be tripe sausage, which I believe to be rolled up intestine in a sausage casing. It was chewy and a little bitter, but not terrible.
One of the weirdest things is the cars you see, like Renault, Peugeot, and Citroen. It's almost a breath of fresh air to see good American cars like Toyotas and Mercedes.
And I'm going to be staying in a castle for the weekend.
For those interested, here are some pictures from the first week: http://s183.photobucket.com/albums/x157/Teravius/
Currently listening: "My Slumbering Heart," Rilo Kiley
Thursday, May 10, 2007
Tingling
Review: Spiderman 3
I don't know how spoilery I want to get here, but some of this is just too amusing not to talk about. First of all, Spiderman 3 is not a great movie. You probably weren't expecting it to be, granted. It's one of those movies that couldn't possibly be released in any month other than May (except for maybe June), one that probably cost five hundred million dollars to make but will rake in two thirds of a billion, one that has virtually no cinematic artistry to it but is based off a character and setting that were successful in another medium and so will be successful here, one that people who otherwise aren't movie people will go in droves to watch because it's the Summer Blockbuster.
I seem to remember talking about one of these around a year ago. Coincidence?
This one was in the previews, so I don't feel too bad about discussing it. At some point, Spiderman gets some black gunk over him, which of course makes his suit change colors too. In turn, this leads to a Personality Change and an Internal Conflict. The payoff here is awesome, not for any rhetorical or artistic purpose, more for the amusement. Peter Parker is usually this happy-go-lucky kid, but now we get Emo Peter Parker. And Spiderman is usually good, but he becomes pretty damn neutral in the middle of the movie. Neutral Spiderman is a sight to behold. Can we say "retribution"?
As usual there were special effects, and as usual I didn't care. We've seen it all before.
If there's some attempt at moral message here, it's most likely something along the lines of "Revenge is bad, mmmkay?" The symbolism is stifling here: when Spiderman has the need for some good old fashioned vengeance, he puts on the black suit; when he puts on the black suit, he gets less good. I liked it better the first time, when it was called Star Wars. (Although Harry did bust out a rather lightsaberish dagger during one fight scene.) On a whole, the plot was predictable. Of course Spiderman is going to have his Spiritual Redemption and become good again. And of course he's going to win the Final Battle.
Finally, where's the vaunted Spidey Sense? It didn't tingle once this movie. And boy, would it have helped in more than a few situations.
A bit of commentary on Mary Jane. That girl is ridiculously needy. Poster child for "high-maintenance." Not to mention jealous and mentally unstable... Peter Parker would to well to break up with her. I mean, if he's going to be busy being Spiderman and saving the world, the last thing he needs is some overdependent girlfriend to weigh down on his emotions. Evidently the man's got no trouble picking up girls... why settle for a mental case?
Currently listening: "Red Oyster Cult," Guster
I don't know how spoilery I want to get here, but some of this is just too amusing not to talk about. First of all, Spiderman 3 is not a great movie. You probably weren't expecting it to be, granted. It's one of those movies that couldn't possibly be released in any month other than May (except for maybe June), one that probably cost five hundred million dollars to make but will rake in two thirds of a billion, one that has virtually no cinematic artistry to it but is based off a character and setting that were successful in another medium and so will be successful here, one that people who otherwise aren't movie people will go in droves to watch because it's the Summer Blockbuster.
I seem to remember talking about one of these around a year ago. Coincidence?
This one was in the previews, so I don't feel too bad about discussing it. At some point, Spiderman gets some black gunk over him, which of course makes his suit change colors too. In turn, this leads to a Personality Change and an Internal Conflict. The payoff here is awesome, not for any rhetorical or artistic purpose, more for the amusement. Peter Parker is usually this happy-go-lucky kid, but now we get Emo Peter Parker. And Spiderman is usually good, but he becomes pretty damn neutral in the middle of the movie. Neutral Spiderman is a sight to behold. Can we say "retribution"?
As usual there were special effects, and as usual I didn't care. We've seen it all before.
If there's some attempt at moral message here, it's most likely something along the lines of "Revenge is bad, mmmkay?" The symbolism is stifling here: when Spiderman has the need for some good old fashioned vengeance, he puts on the black suit; when he puts on the black suit, he gets less good. I liked it better the first time, when it was called Star Wars. (Although Harry did bust out a rather lightsaberish dagger during one fight scene.) On a whole, the plot was predictable. Of course Spiderman is going to have his Spiritual Redemption and become good again. And of course he's going to win the Final Battle.
Finally, where's the vaunted Spidey Sense? It didn't tingle once this movie. And boy, would it have helped in more than a few situations.
A bit of commentary on Mary Jane. That girl is ridiculously needy. Poster child for "high-maintenance." Not to mention jealous and mentally unstable... Peter Parker would to well to break up with her. I mean, if he's going to be busy being Spiderman and saving the world, the last thing he needs is some overdependent girlfriend to weigh down on his emotions. Evidently the man's got no trouble picking up girls... why settle for a mental case?
Currently listening: "Red Oyster Cult," Guster
Saturday, April 21, 2007
Projection and Attraction Theories
An opening note: nothing in this post has anything to do with quantum mechanics. No virial equations of state here.
A point of interest in roleplaying is the presence of the female avatar. Quick operating definitions: "roleplaying game" is any sort of game where you, as a player, construct a character then play the game as that character. This can range from Web MUDs and their successors like Kingdom of Loathing, to console RPGs like Final Fantasy, to MMOs like World of Warcraft (my second-favorite game ever, next to Halo), to tabletop games like Dungeons and Dragons, to creepy live-action roleplaying, or LARPing. "Player" is the real-life person who is playing the game, and "character" is the in-game character that the player creates. "Avatar" is your character, or more precisely in the context of electronic RPGs, the visual conception of that character. It stands to common sense, reasoning, and conventional wisdom that most roleplayers are male... but there are many, many female characters out there.
Statistics back this up. According to Andrew--and realistically, if you're going to listen to anyone on the topic of WoW, it should be Andrew--about 90% of WoW players are male, but the male:female character ratio approaches gender parity. Assuming that almost all female players play a female character (and I'll explain in a bit why this is a good assumption to make) then fully 44% of male players are playing as a female character. Of course, nothing prevents a male player from playing as more than one character, so maybe one male player has two characters, one male and one female. Or maybe some males play exclusively female characters, and some, exclusively male.
Regardless of the distribution of number of players versus number of characters, the fact remains that probably a third of males--and quite possibly more--are playing at least one female character. The natural question is why? Andrew says the prevailing opinion in research on the subject (yes, apparently such a thing exists) is that it serves as an outlet for gender role reversal, something that everyone is socialized from a very early age to avoid like a high-maintenance girlfriend. That is, otherwise masculine males take this opportunity to act in a way that would otherwise get them suspicious looks at best and completely ostracized at worst. I disagree with that explanation for three reasons.
First, I've noticed that willingness to play an opposite-gender character decreases with increased personalization of a character. In a tabletop setting, which is much more intimately social than a computer setting, male willingness to play a female character is comparatively low. This is because in addition to looking like a female, players in this setting are supposed and expected actually to act like a female. In games like Kingdom of Loathing, on the other hand, males play female characters completely without reservation. This even changes among different incarnations of the same character. A reasonable explanation for this is that KoL is only tangentially an RPG. You get to watch the numbers go up, there's some sort of tun-based battle system, and a large focus of the game is on quests and equipment. But there's really very little role-playing involved.
Second, attention. In any MMO, there are a lot of emo little fifteen year olds as players, not-quite-men who don't have any female friends, much less girlfriends, and are convinced their lives are beyond redemption because of it. Therefore, they will take any available opportunity to interact with girls. Even supposed, electronic ones. Female characters, as their players of either gender will tell you, get a whole lot of attention. And most males who play female characters will admit that this is the worst part of playing as a female. Regardless of anyone's individual position on MMOs, it's pretty easy to agree on a position of being hit on by an emo fifteen year old: avoid it at all costs.
Finally, that prevailing opinion assumes that every male has some sort of secret inner desire to act like a female. Freud and Jung would doubtless agree. I do not.
My counter-explanation for this? The female avatar in RPGs fulfills the same role that the Mary Sue does fiction. That is, the female character is some sort of wish or unfulfilled fantasy that can really only come true in an unrealistic setting. During character creation, great care is often given to making the character look as "hot" as possible--never mind the fact that she's made from pixels. One the developer side, items that the character can acquire--armor is often particularly egregious--are designed to enhance this "hotness." The most ridiculous part is the "dance" that MMO characters inevitably perform. While male characters' dances are often designed to look as silly as possible, females are actually constructed to include a large element of sensuality. Remember those fifteen year old emo kids, who really want nothing more than to spend time with girls? The Mary Sue MMO character is a projection of that desire: if they can't spend time with real girls, it might as well be with electronic ones, and if those girls are going to be fake anyway, they might as well be as unrealistically perfect as possible.
So why does this only happen with males playing female characters? Surely there's some fifteen year old girls who are equally as emo as those boys? Undoubtedly. Why, then, wouldn't a female project that desire into a male character? The answer lies in the same attention reason that I don't buy the gender reversal explanation for males playing female characters. Females are going to get a whole lot of attention in an MMO... especially if they're actual girls. Therefore, there's no reason for a female to pretend to be a male. Furthermore, if that doubtlessly Freudian/Jungian idea of an inner desire for gender role reversal were true, we'd see about a third to half of female players with male avatars. That just doesn't happen.
Currently listening: "Everyone's A Little Bit Racist," Avenue Q
A point of interest in roleplaying is the presence of the female avatar. Quick operating definitions: "roleplaying game" is any sort of game where you, as a player, construct a character then play the game as that character. This can range from Web MUDs and their successors like Kingdom of Loathing, to console RPGs like Final Fantasy, to MMOs like World of Warcraft (my second-favorite game ever, next to Halo), to tabletop games like Dungeons and Dragons, to creepy live-action roleplaying, or LARPing. "Player" is the real-life person who is playing the game, and "character" is the in-game character that the player creates. "Avatar" is your character, or more precisely in the context of electronic RPGs, the visual conception of that character. It stands to common sense, reasoning, and conventional wisdom that most roleplayers are male... but there are many, many female characters out there.
Statistics back this up. According to Andrew--and realistically, if you're going to listen to anyone on the topic of WoW, it should be Andrew--about 90% of WoW players are male, but the male:female character ratio approaches gender parity. Assuming that almost all female players play a female character (and I'll explain in a bit why this is a good assumption to make) then fully 44% of male players are playing as a female character. Of course, nothing prevents a male player from playing as more than one character, so maybe one male player has two characters, one male and one female. Or maybe some males play exclusively female characters, and some, exclusively male.
Regardless of the distribution of number of players versus number of characters, the fact remains that probably a third of males--and quite possibly more--are playing at least one female character. The natural question is why? Andrew says the prevailing opinion in research on the subject (yes, apparently such a thing exists) is that it serves as an outlet for gender role reversal, something that everyone is socialized from a very early age to avoid like a high-maintenance girlfriend. That is, otherwise masculine males take this opportunity to act in a way that would otherwise get them suspicious looks at best and completely ostracized at worst. I disagree with that explanation for three reasons.
First, I've noticed that willingness to play an opposite-gender character decreases with increased personalization of a character. In a tabletop setting, which is much more intimately social than a computer setting, male willingness to play a female character is comparatively low. This is because in addition to looking like a female, players in this setting are supposed and expected actually to act like a female. In games like Kingdom of Loathing, on the other hand, males play female characters completely without reservation. This even changes among different incarnations of the same character. A reasonable explanation for this is that KoL is only tangentially an RPG. You get to watch the numbers go up, there's some sort of tun-based battle system, and a large focus of the game is on quests and equipment. But there's really very little role-playing involved.
Second, attention. In any MMO, there are a lot of emo little fifteen year olds as players, not-quite-men who don't have any female friends, much less girlfriends, and are convinced their lives are beyond redemption because of it. Therefore, they will take any available opportunity to interact with girls. Even supposed, electronic ones. Female characters, as their players of either gender will tell you, get a whole lot of attention. And most males who play female characters will admit that this is the worst part of playing as a female. Regardless of anyone's individual position on MMOs, it's pretty easy to agree on a position of being hit on by an emo fifteen year old: avoid it at all costs.
Finally, that prevailing opinion assumes that every male has some sort of secret inner desire to act like a female. Freud and Jung would doubtless agree. I do not.
My counter-explanation for this? The female avatar in RPGs fulfills the same role that the Mary Sue does fiction. That is, the female character is some sort of wish or unfulfilled fantasy that can really only come true in an unrealistic setting. During character creation, great care is often given to making the character look as "hot" as possible--never mind the fact that she's made from pixels. One the developer side, items that the character can acquire--armor is often particularly egregious--are designed to enhance this "hotness." The most ridiculous part is the "dance" that MMO characters inevitably perform. While male characters' dances are often designed to look as silly as possible, females are actually constructed to include a large element of sensuality. Remember those fifteen year old emo kids, who really want nothing more than to spend time with girls? The Mary Sue MMO character is a projection of that desire: if they can't spend time with real girls, it might as well be with electronic ones, and if those girls are going to be fake anyway, they might as well be as unrealistically perfect as possible.
So why does this only happen with males playing female characters? Surely there's some fifteen year old girls who are equally as emo as those boys? Undoubtedly. Why, then, wouldn't a female project that desire into a male character? The answer lies in the same attention reason that I don't buy the gender reversal explanation for males playing female characters. Females are going to get a whole lot of attention in an MMO... especially if they're actual girls. Therefore, there's no reason for a female to pretend to be a male. Furthermore, if that doubtlessly Freudian/Jungian idea of an inner desire for gender role reversal were true, we'd see about a third to half of female players with male avatars. That just doesn't happen.
Currently listening: "Everyone's A Little Bit Racist," Avenue Q
Sunday, March 25, 2007
Goals, Leadership, and Finding Yourself
In other words, three of the greatest sources of crap to be perpetrated on American society besides MTV in the last decade or two.
Goals are at least real. It's perfectly natural to think "I have a B in this class, and I want it to be an A." Or "I'm going to study my tournament bracket even harder next year so I won't be in danger of losing to a girl." Or even "I'm going to level twice in WoW tonight so I can go on that awesome raid tomorrow." Whatever floats your boat.
What's crap about them, though, is the thought that goals are mandatory. Setting a goal in some way implies that what you're doing at the time isn't good enough. Clearly I recognize that nothing is perfect. You can't be completely awesome in everything all the time. But if you're content at any given moment, both at the current state of things, and the current direction that things seem to be proceeding in, what's the need to express an explicit change that needs to be made? Forgive the physics analogy, but an object with motion will maintain that motion unless an external force acts upon it. If your current "motion," that is, your methods, actions, and ideas, are taking you exactly where you want to be, what's the point of setting forward a goal to say that? In other words, I see the point of goal-setting as a reactive measure, but as a means of forcing progress, it's unwarranted.
Leadership, too, is real. Some people do indeed lead others, and others follow. History is full of great people who have made a difference in their situation because of outstanding leadership: Washington, Genghis Khan, Hannibal, and the list goes on and on.
Here's a harsh truth to both the freshmen of Georgia Tech and the faculty/staff that insist this is all necessary. Nobody here is going to become the next Genghis Khan. Freshmen do not need six different leadership organizations shoved in their faces and basically told "If you want to be successful at Georgia Tech, you will join one of these." Never mind that they all do some facet of the same thing. It's not localized to Georgia Tech, I'm sure; that's merely what I'm familiar with. The biggest issue I have here is that not everyone needs to be a leader. Those that truly want to lead, or that have an actual talent for it, will become involved in organizations that they enjoy, then seek leadership positions within those organizations. Real leaders, after all, need people to lead. And even leaders need to do something besides lead every once in a while.
My personal approach to leadership? First, gain the respect of those you're trying to lead through a show of competence and ability. Then translate that respect into solidarity toward a cause.
Finally, maybe someone can clarify for me what it means to find yourself. I'm right here. No, really. Here I am. Look! I found myself, and I was sitting in Glenn Hall all along! Clearly, the intent is deeper than this. I know it has some sort of ridiculous pseudo-spiritual motivation, designed to represent some sort of inner emotional awakening, and to inspire a change in course of life. (Maybe an inspiration to set a Goal.) Often, it's coupled to an outlandish trip to Ass End, Zimbabwe; or Malaria Village, Honduras; or Really I'm Not Here To Find A Prostitute, Thailand. Even the friendly local branch of the student travel agency here on campus has an endorsement from some guy who went to Tanzania to "find himself in the beauty of the East African sunrise."
Good job. If you're in East Africa, and it's early morning, you're probably going to find yourself in a sunrise. I could go find myself in the beauty of a Downtown Connector sunrise tomorrow morning, if I really wanted to. Here's the thing: you can't make a spiritual journey happen. It's like a Zen master would say, if you're looking for enlightenment, you've already missed the point of finding it. Vacations are a wonderful thing: taking a break for a while to ignore those TPS reports, or that Thermo homework, and just chill. Seeing the world, being immersed in cultures, and that sort of thing, is amazing. The opportunity to get to know what all is out there is a great experience. But call it what it is. If you're trying to make yourself have some sort of awakening, great, more power to you. If you go to Whale Blubber, Alaska to try to force that to happen, then chances are you're just having a really cold vacation. Not that there's anything wrong with that; just call it what it is.
Currently listening: "Dani California," Red Hot Chili Peppers
Goals are at least real. It's perfectly natural to think "I have a B in this class, and I want it to be an A." Or "I'm going to study my tournament bracket even harder next year so I won't be in danger of losing to a girl." Or even "I'm going to level twice in WoW tonight so I can go on that awesome raid tomorrow." Whatever floats your boat.
What's crap about them, though, is the thought that goals are mandatory. Setting a goal in some way implies that what you're doing at the time isn't good enough. Clearly I recognize that nothing is perfect. You can't be completely awesome in everything all the time. But if you're content at any given moment, both at the current state of things, and the current direction that things seem to be proceeding in, what's the need to express an explicit change that needs to be made? Forgive the physics analogy, but an object with motion will maintain that motion unless an external force acts upon it. If your current "motion," that is, your methods, actions, and ideas, are taking you exactly where you want to be, what's the point of setting forward a goal to say that? In other words, I see the point of goal-setting as a reactive measure, but as a means of forcing progress, it's unwarranted.
Leadership, too, is real. Some people do indeed lead others, and others follow. History is full of great people who have made a difference in their situation because of outstanding leadership: Washington, Genghis Khan, Hannibal, and the list goes on and on.
Here's a harsh truth to both the freshmen of Georgia Tech and the faculty/staff that insist this is all necessary. Nobody here is going to become the next Genghis Khan. Freshmen do not need six different leadership organizations shoved in their faces and basically told "If you want to be successful at Georgia Tech, you will join one of these." Never mind that they all do some facet of the same thing. It's not localized to Georgia Tech, I'm sure; that's merely what I'm familiar with. The biggest issue I have here is that not everyone needs to be a leader. Those that truly want to lead, or that have an actual talent for it, will become involved in organizations that they enjoy, then seek leadership positions within those organizations. Real leaders, after all, need people to lead. And even leaders need to do something besides lead every once in a while.
My personal approach to leadership? First, gain the respect of those you're trying to lead through a show of competence and ability. Then translate that respect into solidarity toward a cause.
Finally, maybe someone can clarify for me what it means to find yourself. I'm right here. No, really. Here I am. Look! I found myself, and I was sitting in Glenn Hall all along! Clearly, the intent is deeper than this. I know it has some sort of ridiculous pseudo-spiritual motivation, designed to represent some sort of inner emotional awakening, and to inspire a change in course of life. (Maybe an inspiration to set a Goal.) Often, it's coupled to an outlandish trip to Ass End, Zimbabwe; or Malaria Village, Honduras; or Really I'm Not Here To Find A Prostitute, Thailand. Even the friendly local branch of the student travel agency here on campus has an endorsement from some guy who went to Tanzania to "find himself in the beauty of the East African sunrise."
Good job. If you're in East Africa, and it's early morning, you're probably going to find yourself in a sunrise. I could go find myself in the beauty of a Downtown Connector sunrise tomorrow morning, if I really wanted to. Here's the thing: you can't make a spiritual journey happen. It's like a Zen master would say, if you're looking for enlightenment, you've already missed the point of finding it. Vacations are a wonderful thing: taking a break for a while to ignore those TPS reports, or that Thermo homework, and just chill. Seeing the world, being immersed in cultures, and that sort of thing, is amazing. The opportunity to get to know what all is out there is a great experience. But call it what it is. If you're trying to make yourself have some sort of awakening, great, more power to you. If you go to Whale Blubber, Alaska to try to force that to happen, then chances are you're just having a really cold vacation. Not that there's anything wrong with that; just call it what it is.
Currently listening: "Dani California," Red Hot Chili Peppers
Wednesday, February 28, 2007
On the Appropriateness of Thought
Think back to its unfettered infancy! When Isoceleria, in its bright salad days, offered posts that approached weekly? One movie review that was offered talked about whether or not it was appropriate to discuss moral heavyweights in the context of a lighthearted comedy. My answer at the time was no (although in a different context it would be yes), and I haven't wavered from that opinion. I also never gave a satisfactory explanation for why exactly that was the case. After a talk with my friend Brian, I'm finally equipped to give a good argument why.
The question is, when is it appropriate to have ethical or moral discussions about should the topic arise? Put slightly more tritely, when is it okay to think? To the scholar or the metaphysicist, the answer is always. If the question comes up, it must be answered; it must be answered immediately, to the best of the intellectual ability of everyone involved. After all, if not to examine the condition of life, what is the purpose of life at all? To the pragmatist or the cynic, the answer is never. What good is morality when you're dead? There are more pressing concerns, more important questions to answer now than "is (whatever) appropriate?" And to the idealistic-realist (which is what I've termed my own school of thought), the answer is completely contextual. It is always good to think, but in certain situations, the necessity of thought is better fulfilled with a different discussion than the one that presents itself.
Naturally I'm maintaining a sort of middle ground, finding a way to shift my argument centerward. People are always more willing to discuss when your opinion more closely matches theirs. My personal feelings on the matter allow for the sort of intellectual discussion that I prize to thrive, while also making sure I'm not wasting my time. And what would be considered an example of either? Arguing the ethics of a mechanic within a MMORPG is certainly the latter. The chat I had with Brian was regarding another discussion he had within the context of my second-favorite video game ever, World of Warcraft (my first, of course, being a tie among all of the Halo games). According to Brian, this discussion was regarding a certain practice in WoW that I'm not entirely familiar with. When presented with an argument like "People should frown upon (insert practice here)," Brian was irritated. I would have been too, though for a different reason. I don't think Brian would disagree with my placement of him into the pragmatist/cynic category. (To some extent, I'm a cynic too. Then again, I have some of those "scholar" characteristics as well. I see it as a continuum.) So it was understandable that he didn't want to have that discussion at all. My personal reason for not wanting to have that conversation would have been that having it wouldn't get you anywhere. While the argument of "supporting a practice against the will of the general public" is one that's generally worth having, contextually it's wholly irrelevant.
In this (as far as I can tell, mostly one-sided) debate, Brian was asked to present a counter-argument. Even though I know nothing about WoW, and though arguing it within the perspective of a video game is ridiculous, I respect the idea behind the general precept of this discussion. Here's my go. Saying that a large population "should" or "should not" adopt a certain stance is dreadfully difficult to argue. If the individuals within the population cared enough, the population would collectively change its mind. Because presumably this hasn't happened yet, it probably will not happen in the absence of some external galvanizing force. In other words, to effect this change, you must not only convince people that you are right. You must first convince them that they want to care at all.
Currently listening: Wincing the Night Away, the Shins
The question is, when is it appropriate to have ethical or moral discussions about should the topic arise? Put slightly more tritely, when is it okay to think? To the scholar or the metaphysicist, the answer is always. If the question comes up, it must be answered; it must be answered immediately, to the best of the intellectual ability of everyone involved. After all, if not to examine the condition of life, what is the purpose of life at all? To the pragmatist or the cynic, the answer is never. What good is morality when you're dead? There are more pressing concerns, more important questions to answer now than "is (whatever) appropriate?" And to the idealistic-realist (which is what I've termed my own school of thought), the answer is completely contextual. It is always good to think, but in certain situations, the necessity of thought is better fulfilled with a different discussion than the one that presents itself.
Naturally I'm maintaining a sort of middle ground, finding a way to shift my argument centerward. People are always more willing to discuss when your opinion more closely matches theirs. My personal feelings on the matter allow for the sort of intellectual discussion that I prize to thrive, while also making sure I'm not wasting my time. And what would be considered an example of either? Arguing the ethics of a mechanic within a MMORPG is certainly the latter. The chat I had with Brian was regarding another discussion he had within the context of my second-favorite video game ever, World of Warcraft (my first, of course, being a tie among all of the Halo games). According to Brian, this discussion was regarding a certain practice in WoW that I'm not entirely familiar with. When presented with an argument like "People should frown upon (insert practice here)," Brian was irritated. I would have been too, though for a different reason. I don't think Brian would disagree with my placement of him into the pragmatist/cynic category. (To some extent, I'm a cynic too. Then again, I have some of those "scholar" characteristics as well. I see it as a continuum.) So it was understandable that he didn't want to have that discussion at all. My personal reason for not wanting to have that conversation would have been that having it wouldn't get you anywhere. While the argument of "supporting a practice against the will of the general public" is one that's generally worth having, contextually it's wholly irrelevant.
In this (as far as I can tell, mostly one-sided) debate, Brian was asked to present a counter-argument. Even though I know nothing about WoW, and though arguing it within the perspective of a video game is ridiculous, I respect the idea behind the general precept of this discussion. Here's my go. Saying that a large population "should" or "should not" adopt a certain stance is dreadfully difficult to argue. If the individuals within the population cared enough, the population would collectively change its mind. Because presumably this hasn't happened yet, it probably will not happen in the absence of some external galvanizing force. In other words, to effect this change, you must not only convince people that you are right. You must first convince them that they want to care at all.
Currently listening: Wincing the Night Away, the Shins
Thursday, February 15, 2007
Reflections about Video Gaming
Inspired by (well, okay, straight copied and pasted from) an email exchange with Nick:
I honestly don't play video games that much anymore. For one, I don't have a television, which makes things a little tricky. Secondly, I don't really have time for them. Darn "homework" and "classes" and "housing job." The only new-generation console that I even considered getting is a Wii, and that's because of two things: 1) virtual console and 2) new incarnations of Smash Brothers and Mario Kart. Seeing as how the virtual console isn't at full capacity yet, and the other two haven't been released, it's not worth buying for the time being. I basically hate the Xbox (except for this brilliant thing on their classic arcade called "Geometry Wars" which is like Asteroids on LSD). I don't see the value in spending any money on the PS3, let alone $600. Ooh, it does Blu-Ray. Because I care about that.
Some people might attack any sort of video gaming at all as a waste of time, a completely non-constructive futility. I agree that doing nothing but play video games isn't constructive, hence my dislike of WoW, which I believe lends itself to doing nothing but itself. But I think that about pretty much anything. A frat guy who spends all of his time at the "house," an athlete who spends all of his time at practice or in the gym... none of that seems like a good idea. The primary values I get from video games are either the "this is slightly more intellectually stimulating than sitting on my chair and staring at a towel" single-player idea or the "this is slightly more interesting than watching a movie and talking about D&D" with my friends. The first case, I have approximately zero time for anymore. I'll start the day with 8 am Numerical Methods, finish at 9:45 pm with a staff meeting, and at that point, sitting in my chair and staring at a towel isn't out of the question.
As for multiplayer games, my main "group of friends" isn't really that into them (except for my favorite game of all time, Halo, and even that they're not as interested in as they might have been a couple of years ago). We might play video games, or card/board games (my friend Walter frequents game shops and regularly has these crazy games that shouldn't be nearly as fun as they are), or play D&D, or talk about D&D, or watch a movie, or have the occasional 4 am talk about morality and ethics. I don't see any of those as inherently better or worse than each other, and in fact an evening/night with that group of guys might well encompass most or all of them. The question is whether or not a social event is an end in itself or rather a means to some sort of more significant goal. I would argue that if it does further some sort of other goal, wonderful, but if it doesn't, that doesn't mean it wasn't worth doing.
Currently listening: "Plane Crash in C," Rilo Kiley
I honestly don't play video games that much anymore. For one, I don't have a television, which makes things a little tricky. Secondly, I don't really have time for them. Darn "homework" and "classes" and "housing job." The only new-generation console that I even considered getting is a Wii, and that's because of two things: 1) virtual console and 2) new incarnations of Smash Brothers and Mario Kart. Seeing as how the virtual console isn't at full capacity yet, and the other two haven't been released, it's not worth buying for the time being. I basically hate the Xbox (except for this brilliant thing on their classic arcade called "Geometry Wars" which is like Asteroids on LSD). I don't see the value in spending any money on the PS3, let alone $600. Ooh, it does Blu-Ray. Because I care about that.
Some people might attack any sort of video gaming at all as a waste of time, a completely non-constructive futility. I agree that doing nothing but play video games isn't constructive, hence my dislike of WoW, which I believe lends itself to doing nothing but itself. But I think that about pretty much anything. A frat guy who spends all of his time at the "house," an athlete who spends all of his time at practice or in the gym... none of that seems like a good idea. The primary values I get from video games are either the "this is slightly more intellectually stimulating than sitting on my chair and staring at a towel" single-player idea or the "this is slightly more interesting than watching a movie and talking about D&D" with my friends. The first case, I have approximately zero time for anymore. I'll start the day with 8 am Numerical Methods, finish at 9:45 pm with a staff meeting, and at that point, sitting in my chair and staring at a towel isn't out of the question.
As for multiplayer games, my main "group of friends" isn't really that into them (except for my favorite game of all time, Halo, and even that they're not as interested in as they might have been a couple of years ago). We might play video games, or card/board games (my friend Walter frequents game shops and regularly has these crazy games that shouldn't be nearly as fun as they are), or play D&D, or talk about D&D, or watch a movie, or have the occasional 4 am talk about morality and ethics. I don't see any of those as inherently better or worse than each other, and in fact an evening/night with that group of guys might well encompass most or all of them. The question is whether or not a social event is an end in itself or rather a means to some sort of more significant goal. I would argue that if it does further some sort of other goal, wonderful, but if it doesn't, that doesn't mean it wasn't worth doing.
Currently listening: "Plane Crash in C," Rilo Kiley
Wednesday, January 31, 2007
Signatures and Reactivation
People take their email signatures way too seriously. O Georgia Tech student, do I really need to know your school, department, residence hall, and expected year of graduation every time I receive and email from you? O Georgia Tech Housing staff member, in addition to the aforementioned glut of information, do I really need to know about your affiliation to the Freshman Experience program, your area of work? In any case, do I need three phone numbers at which I can reach you whenever I want? The answer is no.
Imagine the following scenario. Your friend tells you about a fantastic new product he's discovered. He ensures that you'll really love it, and though you have doubts about how much your new hobby might end up costing you, you decide to give it a shot. (The first few times are free, anyway.) Almost immediately, you find yourself immersed in a bizarre subculture, complete with an idiosyncratic jargon/slang, a power structure and social hierarchy, and an economy almost as complex as that of an industrialized country.
And in the coming months, most of your peers and acquaintances complain that you're spending too much time on this hobby, and that it's affecting you in a bad way. Your personal resources are drained, but you honestly feel like it's worth spending what time and money you do. All through your day, you look forward to those few hours you can devote to this new cursus. It's become compulsive... addictive?
Sounding a bit like an after-school special or public service announcement? Warning about the dangers of drinking or drugs, perhaps? Add another item to that list: World of Warcraft.
"Hey, let's go get something to eat." "No, I can't, I'm on a raid."
There's been an expansion released that's poised to let even more people spend even more of their time in the World of Warcraft. And so let the reactivation of millions of idle accounts begin. To be clear, I of course respect WoW from a business standpoint. Eight million active accounts pre-expansion? That's a capitalist success story if ever I heard one. And while it's not nearly as overrated as Halo (which Jick from the Kingdom of Loathing correctly describes as "the single most overrated product ever"), is World of Warcraft that good? Hard for me to believe.
For all you WoW players out there, here's the question I pose. What makes World of Warcraft good? More specifically, what makes it uniquely worth your $15 per month and many hours per day that you undoubtedly pour into it?
Currently listening: "Sun" from Destination: Beautiful, Mae
Imagine the following scenario. Your friend tells you about a fantastic new product he's discovered. He ensures that you'll really love it, and though you have doubts about how much your new hobby might end up costing you, you decide to give it a shot. (The first few times are free, anyway.) Almost immediately, you find yourself immersed in a bizarre subculture, complete with an idiosyncratic jargon/slang, a power structure and social hierarchy, and an economy almost as complex as that of an industrialized country.
And in the coming months, most of your peers and acquaintances complain that you're spending too much time on this hobby, and that it's affecting you in a bad way. Your personal resources are drained, but you honestly feel like it's worth spending what time and money you do. All through your day, you look forward to those few hours you can devote to this new cursus. It's become compulsive... addictive?
Sounding a bit like an after-school special or public service announcement? Warning about the dangers of drinking or drugs, perhaps? Add another item to that list: World of Warcraft.
"Hey, let's go get something to eat." "No, I can't, I'm on a raid."
There's been an expansion released that's poised to let even more people spend even more of their time in the World of Warcraft. And so let the reactivation of millions of idle accounts begin. To be clear, I of course respect WoW from a business standpoint. Eight million active accounts pre-expansion? That's a capitalist success story if ever I heard one. And while it's not nearly as overrated as Halo (which Jick from the Kingdom of Loathing correctly describes as "the single most overrated product ever"), is World of Warcraft that good? Hard for me to believe.
For all you WoW players out there, here's the question I pose. What makes World of Warcraft good? More specifically, what makes it uniquely worth your $15 per month and many hours per day that you undoubtedly pour into it?
Currently listening: "Sun" from Destination: Beautiful, Mae
Monday, January 15, 2007
So this is the...
...first anniversary of Isoceleria! (And you thought I was going to go for the Death Cab reference.) I'd like to commemorate by talking about music: the worst of 2006 and the hopeful best of 2007.
First, there were decent and good things happening in 2006 in music. The American releases of Rosenrot and Eye to the Telescope marked the best in old music that recently made it to the States; Light Grenades, Sam's Town, and Under the Iron Sea, three albums that I didn't necessarily like so much but that sort of grew on me as I listened to them more; the over-rated (but still appreciated) appearance of The Fray; and of course the (mostly) brilliance of The Crane Wife and Ganging Up on the Sun. Oh, and Lordi wins Eurovision, proving that guys playing hard rock in monster costumes are freaking awesome (as if we needed any proof). Now on to the not-so-decent parts.
Did we really need sexy to be brought back? Moreover, did we need it to be brought back by Justin Timberlake? I think there are about twenty words in this song, sixteen of which are a thinly veiled S&M fantasy. Timberlake was often praised as being having the best voice of whichever boy band he hailed from (because that's high praise). And this monstrosity of a song makes it so you can't understand what the hell he's saying anyway. This is one of the most vapid, hideous songs I've ever heard, and somehow it became one of the best-known and most widely played songs of the year.
I didn't really have anything against Nelly Furtado until that "Promiscuous" piece of crap appeared halfway through the year. Great. You're a ho. That means you have a good song?
The Black Eyed Peas need to be stopped. Now. What kind of a title is "My Humps" for a song? I know that "Let's Get it Started" was not from 2006, but people still play it in commercials and other high-visibility locations. And give me a legitimate definition of "phunk" as a verb, and I'll pay you five bucks. Interestingly, the one factor that might contribute the most to the Black Eyes Peas' downfall is Fergie's solo career. Ever heard the phrase "out of the frying pan, into the fire"? I don't know what's worse: "Don't Phunk with my Heart" or "Fergalicious." Why anyone would willingly submit himself/herself to listening to anything involving Fergie is completely beyond me.
Okay, so everybody knows how much all those other bands suck; here's a more controversial nomination. I think one of the worst "alternative rock" songs that received commercial publicity this year was "I Write Sins Not Tragedies" by Panic! at the Disco. The first time I heard this song, my initial reaction was something like "oh, wow! These guys sure know big words!" In the same way that Nelly Furtado's unabashed prostitutitude does not make her song good, Panic's cramming words like "rationality" into their chorus does not make their song good. To be fair, I've never seen Panic live, nor have I seen an interview with any of their musicians. But I have a funny feeling that Panic's vocabulary (and their unnecessarily long song titles) is an outgrowth of their arrogance; not the intentional grandiloquence of the Decemberists or my playful pass at elitism, but rather the egomania akin to Red Jumpsuit Apparatus.
The preponderance of rap on the singles charts need not be mentioned. The rap culture is so fleeting that artists popular now are not necessarily worth formulating an argument against because they'll be gone in a few years anyway.
So we're in pretty bad shape for the next year, right? Maybe not.
Singularity by Mae. Enough said. April 2007.
Coldplay has an album coming out in October. Popular opinion about X&Y was sharply divided; I rather liked it, but I know a whole lot of people who didn't. Hopefully the new one will be more universally seen as good.
Something Corporate is a band I believe to be vastly underrated. Jimmy Eat World is one that a lot of people recognize is good. Motion City Soundtrack is somewhere in the middle, not vastly popular but appreciated. And all three of bands are rumored to have something coming out this year. I'm looking forward to those.
And finally, if you're interested in pursuing this further (perhaps because your musical tastes are slightly off from mine) you can check a much more comprehensive list at http://en.wikipedia.org/wiki/2007_in_music.
Currently listening: Transatlanticism, Death Cab for Cutie
First, there were decent and good things happening in 2006 in music. The American releases of Rosenrot and Eye to the Telescope marked the best in old music that recently made it to the States; Light Grenades, Sam's Town, and Under the Iron Sea, three albums that I didn't necessarily like so much but that sort of grew on me as I listened to them more; the over-rated (but still appreciated) appearance of The Fray; and of course the (mostly) brilliance of The Crane Wife and Ganging Up on the Sun. Oh, and Lordi wins Eurovision, proving that guys playing hard rock in monster costumes are freaking awesome (as if we needed any proof). Now on to the not-so-decent parts.
Did we really need sexy to be brought back? Moreover, did we need it to be brought back by Justin Timberlake? I think there are about twenty words in this song, sixteen of which are a thinly veiled S&M fantasy. Timberlake was often praised as being having the best voice of whichever boy band he hailed from (because that's high praise). And this monstrosity of a song makes it so you can't understand what the hell he's saying anyway. This is one of the most vapid, hideous songs I've ever heard, and somehow it became one of the best-known and most widely played songs of the year.
I didn't really have anything against Nelly Furtado until that "Promiscuous" piece of crap appeared halfway through the year. Great. You're a ho. That means you have a good song?
The Black Eyed Peas need to be stopped. Now. What kind of a title is "My Humps" for a song? I know that "Let's Get it Started" was not from 2006, but people still play it in commercials and other high-visibility locations. And give me a legitimate definition of "phunk" as a verb, and I'll pay you five bucks. Interestingly, the one factor that might contribute the most to the Black Eyes Peas' downfall is Fergie's solo career. Ever heard the phrase "out of the frying pan, into the fire"? I don't know what's worse: "Don't Phunk with my Heart" or "Fergalicious." Why anyone would willingly submit himself/herself to listening to anything involving Fergie is completely beyond me.
Okay, so everybody knows how much all those other bands suck; here's a more controversial nomination. I think one of the worst "alternative rock" songs that received commercial publicity this year was "I Write Sins Not Tragedies" by Panic! at the Disco. The first time I heard this song, my initial reaction was something like "oh, wow! These guys sure know big words!" In the same way that Nelly Furtado's unabashed prostitutitude does not make her song good, Panic's cramming words like "rationality" into their chorus does not make their song good. To be fair, I've never seen Panic live, nor have I seen an interview with any of their musicians. But I have a funny feeling that Panic's vocabulary (and their unnecessarily long song titles) is an outgrowth of their arrogance; not the intentional grandiloquence of the Decemberists or my playful pass at elitism, but rather the egomania akin to Red Jumpsuit Apparatus.
The preponderance of rap on the singles charts need not be mentioned. The rap culture is so fleeting that artists popular now are not necessarily worth formulating an argument against because they'll be gone in a few years anyway.
So we're in pretty bad shape for the next year, right? Maybe not.
Singularity by Mae. Enough said. April 2007.
Coldplay has an album coming out in October. Popular opinion about X&Y was sharply divided; I rather liked it, but I know a whole lot of people who didn't. Hopefully the new one will be more universally seen as good.
Something Corporate is a band I believe to be vastly underrated. Jimmy Eat World is one that a lot of people recognize is good. Motion City Soundtrack is somewhere in the middle, not vastly popular but appreciated. And all three of bands are rumored to have something coming out this year. I'm looking forward to those.
And finally, if you're interested in pursuing this further (perhaps because your musical tastes are slightly off from mine) you can check a much more comprehensive list at http://en.wikipedia.org/wiki/2007_in_music.
Currently listening: Transatlanticism, Death Cab for Cutie
Saturday, December 30, 2006
User-Defined Realities
Time Magazine just named me Person of the Year, Nick is sitting on chairs, we're starting a radio show... and Borges is attempting a "Refutation of Time."
Granted, only three of these things are happening in the present and future. As a special advance notification to readers of Isoceleria, be on the lookout for two fresh and wonderful Web 2.0 new-new-economy user-created-contents. The first is "Palatial Beachfront Property," a podcast radio show dedicated to talking about the most important issues of our time. And if you're reading Isoceleria, you know what sort of things are considered "the most important issues of our time." The second, the ILSOC project, is a bit further from my personal sphere of influence, so I'll reserve commentary on it until more work is complete. Know that if nothing else, it's going to embody the ideals of the user-created content paradigm.
(I'm terribly sorry for having used the word "fresh" in that misguided context.)
Time Magazine wasn't faced with a particularly good slate of candidates this year for Person of the Year. George Bush? Oh, you mean the President of the United States is an important guy? I never would have come up with that one on my own. Mahmoud Ahmadinejad? Kim Jong-il? Both slightly crazy leaders of countries with powerful armies that threatened to develop nuclear weapons but couldn't quite back themselves up on it. I think their votes cancel. Barack Obama, Hillary Clinton, John Edwards, Al Gore, and any other number of prominent politicians? The Democrats taking Congress was significant, no argument there. Let's wait and see what that means for the country before we start handing out Person of the Year like it's candy.
Except, wait, that's exactly what Time did.
As everyone has probably heard, you are Time's person of the year. Yep, you. Look on the cover of one of the magazines, and you'll magically see yourself! And if you don't know why you were selected, it's because you make content on the Internet. ("Wait, I've been making crappy websites for ten years now! Shouldn't that make me Person of the Year ten times over?" Yes, yes, it should.) That's what makes the Internet great in the first place: dynamic and interactive content generation. Ever posted to a message board or forum? Done something as simple as voted in a poll? Engaged in such foolish behavior as making a blog? Congratulations, sir or madam, you have helped make yourself person of the year.
But more than fora, polls, and blogs, the Time Person of the Year and the conventional wisdom behind it is enamored with YouTube. YouTube has its place; don't get me wrong. But I'm scared of it. A couple of years ago (and still to some extent today), the Internet rage was the Flash cartoon: the sort of garbage you could find on Albino Black Sheep or Ebaum's World. If you've seen Badger Badger Badger, then you're familiar with this sort of thing. (If not, you're probably better off for it.) It seemed like there was an almost weekly rush of "Look at this awesome Flash cartoon I found!" Except, of course, it wasn't really awesome. It was comedic drivel, the sort of junk that violates a central precept of comedy: in order for something to be funny, it must be funny for a reason. "Random" does not cut it. Back in the Flash Cartoon Age, we only had to deal with these sorts of abominations from a subset of Internet users: the ones with enough specialized technical knowledge to make a Flash animation and the time and willingness to sit down and do it.
That's not so for YouTube. It requires exactly two things: a video camera and a connection to the Internet, neither of which is exactly a rarity these days. And it's going to let an even bigger "Look at this awesome video I found" phenomenon flourish uncontested.
In A Personal Anthology, a book that includes many short stories by Jorge Luis Borges, and which after a year and a third of hostage status from Samantha I am finally getting around to reading, Borges attempts a "New Refutation of Time." And before you start thinking "Wait a second, he's using a temporal idea to refute time," he defends that in this prologue. Borges bases his central argument on Idealism, which he interprets to hold that the perception of an object is all that really exists, and adding a physical quantity called an object is superfluous. In other words, pretend you're looking at a leaf. The leaf's existence is then defined by your observation of it: what the leaf smells like, looks like, sounds like, feels like becomes the leaf to you. Then, because in your world, the leaf already has a definition and state of being, considering an actual "leaf" to exist in the universe is redundant because its existence has already been defined.
Borges extends this reasoning to deal with time. He argues that time is supposed to be a sequence of all events that have happened and will happen, but if the perception of an object is in effect the criterion for making an object real, why shouldn't the perception of an event be the criterion for making an event real? Frankly, that's a tough argument to buy, both the idealist basis and Borges's extension of it. It's difficult to know whether Borges's ideas about time were outgrowths of (or at least influenced by) his pre-relativity lifetime. Did Borges, through this "Refutation," reflect a prevailing philosophical opinion of that era, one that was less informed than current civilization about the nature of space-time? Or was his argument not scientific at all, and would he have made the same argument today given the nature of physical evidence that suggests the opposite?
The most interesting thing about Borges's essay is that it highlights the impact of temporal influence on modern thought. In discussing Borges's essay, for instance, I used the words "pre-," "lifetime," "era," "current," and "today." So this essay is valuable not exactly in proving that time doesn't exist but instead in that modern culture has a lot of preconceptions about time, most of which we've never actually examined.
And to make things even more interesting, quantum physics would argue that Borges, or at least his Idealist basis, is actually correct. After all, if you're not directly observing something, how can you empirically prove its existence? That tree crashing in the middle of the woods with nobody watching? Not only might it not make a sound, but it may not even exist.
Currently listening: Light Grenades, Incubus
Granted, only three of these things are happening in the present and future. As a special advance notification to readers of Isoceleria, be on the lookout for two fresh and wonderful Web 2.0 new-new-economy user-created-contents. The first is "Palatial Beachfront Property," a podcast radio show dedicated to talking about the most important issues of our time. And if you're reading Isoceleria, you know what sort of things are considered "the most important issues of our time." The second, the ILSOC project, is a bit further from my personal sphere of influence, so I'll reserve commentary on it until more work is complete. Know that if nothing else, it's going to embody the ideals of the user-created content paradigm.
(I'm terribly sorry for having used the word "fresh" in that misguided context.)
Time Magazine wasn't faced with a particularly good slate of candidates this year for Person of the Year. George Bush? Oh, you mean the President of the United States is an important guy? I never would have come up with that one on my own. Mahmoud Ahmadinejad? Kim Jong-il? Both slightly crazy leaders of countries with powerful armies that threatened to develop nuclear weapons but couldn't quite back themselves up on it. I think their votes cancel. Barack Obama, Hillary Clinton, John Edwards, Al Gore, and any other number of prominent politicians? The Democrats taking Congress was significant, no argument there. Let's wait and see what that means for the country before we start handing out Person of the Year like it's candy.
Except, wait, that's exactly what Time did.
As everyone has probably heard, you are Time's person of the year. Yep, you. Look on the cover of one of the magazines, and you'll magically see yourself! And if you don't know why you were selected, it's because you make content on the Internet. ("Wait, I've been making crappy websites for ten years now! Shouldn't that make me Person of the Year ten times over?" Yes, yes, it should.) That's what makes the Internet great in the first place: dynamic and interactive content generation. Ever posted to a message board or forum? Done something as simple as voted in a poll? Engaged in such foolish behavior as making a blog? Congratulations, sir or madam, you have helped make yourself person of the year.
But more than fora, polls, and blogs, the Time Person of the Year and the conventional wisdom behind it is enamored with YouTube. YouTube has its place; don't get me wrong. But I'm scared of it. A couple of years ago (and still to some extent today), the Internet rage was the Flash cartoon: the sort of garbage you could find on Albino Black Sheep or Ebaum's World. If you've seen Badger Badger Badger, then you're familiar with this sort of thing. (If not, you're probably better off for it.) It seemed like there was an almost weekly rush of "Look at this awesome Flash cartoon I found!" Except, of course, it wasn't really awesome. It was comedic drivel, the sort of junk that violates a central precept of comedy: in order for something to be funny, it must be funny for a reason. "Random" does not cut it. Back in the Flash Cartoon Age, we only had to deal with these sorts of abominations from a subset of Internet users: the ones with enough specialized technical knowledge to make a Flash animation and the time and willingness to sit down and do it.
That's not so for YouTube. It requires exactly two things: a video camera and a connection to the Internet, neither of which is exactly a rarity these days. And it's going to let an even bigger "Look at this awesome video I found" phenomenon flourish uncontested.
In A Personal Anthology, a book that includes many short stories by Jorge Luis Borges, and which after a year and a third of hostage status from Samantha I am finally getting around to reading, Borges attempts a "New Refutation of Time." And before you start thinking "Wait a second, he's using a temporal idea to refute time," he defends that in this prologue. Borges bases his central argument on Idealism, which he interprets to hold that the perception of an object is all that really exists, and adding a physical quantity called an object is superfluous. In other words, pretend you're looking at a leaf. The leaf's existence is then defined by your observation of it: what the leaf smells like, looks like, sounds like, feels like becomes the leaf to you. Then, because in your world, the leaf already has a definition and state of being, considering an actual "leaf" to exist in the universe is redundant because its existence has already been defined.
Borges extends this reasoning to deal with time. He argues that time is supposed to be a sequence of all events that have happened and will happen, but if the perception of an object is in effect the criterion for making an object real, why shouldn't the perception of an event be the criterion for making an event real? Frankly, that's a tough argument to buy, both the idealist basis and Borges's extension of it. It's difficult to know whether Borges's ideas about time were outgrowths of (or at least influenced by) his pre-relativity lifetime. Did Borges, through this "Refutation," reflect a prevailing philosophical opinion of that era, one that was less informed than current civilization about the nature of space-time? Or was his argument not scientific at all, and would he have made the same argument today given the nature of physical evidence that suggests the opposite?
The most interesting thing about Borges's essay is that it highlights the impact of temporal influence on modern thought. In discussing Borges's essay, for instance, I used the words "pre-," "lifetime," "era," "current," and "today." So this essay is valuable not exactly in proving that time doesn't exist but instead in that modern culture has a lot of preconceptions about time, most of which we've never actually examined.
And to make things even more interesting, quantum physics would argue that Borges, or at least his Idealist basis, is actually correct. After all, if you're not directly observing something, how can you empirically prove its existence? That tree crashing in the middle of the woods with nobody watching? Not only might it not make a sound, but it may not even exist.
Currently listening: Light Grenades, Incubus
Friday, December 15, 2006
Decemberisms
Warning: parts of this article contain Sushi Evangelism. Reader discretion is advised for sensitive groups.
It's becoming very easy to find places to eat sushi. It's even easy to find places to eat good sushi. There are lots of little restaurants where you can get some and think "yep, that's pretty good raw fish." But when does sushi transcend "pretty good raw fish" and become an excellent meal? Here's the part where I think every sushi eater has a completely different opinion: that their preferred sushi house/bar/restaurant is the very best there is, and that you needn't waste your time at any other locales.
Yeah, I'm no different.
And so when I volunteered my dad's lunch hour to buy me some free food yesterday, my obvious choice of restaurant was Wasabi House. There's really nothing obviously distinctive about Wasabi House: it's neither super-commercial nor "hole in the wall," there are appropriately Japanese people working and appropriately Japanese decorations on the walls, and the front of the place has a large cutting board, several large knives, and lots of rice and dead fish.
The thing that stands out about Wasabi House is the quality of their most basic types of sushi. Sure, they've got their house specials (one of which is something delicious called "dragon roll" that is certainly worth trying), and it's not hard to pour effort into one or two rolls and make them outstanding. Where Wasabi House becomes wonderful is in things like spicy tuna and spider roll. Every self-respecting sushi place has these... and yet, at Wasabi House, they're just better than anywhere else I've tried. Again, I believe that any sushi fan probably has the same opinion of their favorite place, and that brings me to a question. How do you differentiate high-quality sushi? If it's amazingly good at everywhere you try (and I'll be the first to admit that there probably are places as awesome as Wasabi House), how do you determine what's truly the best?
Following the Asian food theme, after a particularly difficult Problem 3 on a diff eq exam earlier this week, a few friends and I went to a place called Spoon. "Wait... that doesn't sound Asian!" No, it really doesn't, which is why this really is a paradox of a restaurant. It's clear that this restaurant is torn between wanting to cater to some sort of trendy urban crowd and wanting to sell high-quality Thai food. I'm not exactly trendy, so I can't comment on the former, but the latter is a resounding success.
First, a bit about the atmosphere. We've got a nonsensical English name, a full bar featuring American alcohol, and decor and background music that appear to have been inspired from Sprockets. And for all that, the quality of Thai food for the money is excellent. The menu is simple, serving Thai dishes for eleven dollars each (Pad Thai is cheaper, and there are a few more expensive seafood options) and all of the ones that I tasted were delicious. I had chicken Panang, which was basically chicken and vegetables in some chili-coconut sauce (granted, that's an accurate description of about half the Thai dishes out there), and there's no question that I'd order it again.
Now let's talk about "authenticity." A lot of snobs would probably complain that I wasn't eating "authentic" Thai cuisine. The same people would likely argue that my favorite Chinese place, Big Joy, isn't really Chinese. So my question here is define authenticity. One common criterion is "you know a Chinese restaurant is 'authentic' when you see Chinese people eating there." Or for particular dishes: a dish isn't "authentic" unless it originated in China. So look at Maggiano's, a popular (and delicious) Italian restaurant. I've seen Chinese people eating there, but I'm not sure if I've ever seen any actual Italians there... does this mean Maggiano's isn't authentic? Italian people don't really eat lasagna and chicken parmesan?
If you've been looking at what I've been listening to the past few weeks, it's been Christmas music. 'Tis the season, after all. Here are three of my favorites:
What's It Gonna Be, Santa? is probably the best contemporary Christmas CD out there. It has a mix of secular and religious, mostly well-known music but a few originals, too. Of course I'm biased toward Chicago being a trumpet player: most music can be greatly improved with a little brass added. Surprisingly, I've heard some of this music on the radio lately, where it is a refreshing alternative to hip-hop Christmas and 40's crooning. One note in particular: "Child's Prayer" from this CD is one of the only situations I can think of in which I don't mind children singing.
If you're looking for traditional Christmas music, there's really no place to go better than the ASO under the direction of Robert Shaw. Both The Many Moods of Christmas and Christmas with the ASO are among the best in this subgenre, with Many Moods featuring more well-known music and Christmas with the ASO showcasing orchestral music befitting the season. The ASO's renditions of "O Come, O Come Emanuel" and "Adeste Fideles" are both particularly worth listening to.
And if you ever have the chance to hear the ASO do it live, the Morehouse Glee Club's "Betelehemu" is absolutely not to be missed.
Currently listening: "Three Doors," VAST
It's becoming very easy to find places to eat sushi. It's even easy to find places to eat good sushi. There are lots of little restaurants where you can get some and think "yep, that's pretty good raw fish." But when does sushi transcend "pretty good raw fish" and become an excellent meal? Here's the part where I think every sushi eater has a completely different opinion: that their preferred sushi house/bar/restaurant is the very best there is, and that you needn't waste your time at any other locales.
Yeah, I'm no different.
And so when I volunteered my dad's lunch hour to buy me some free food yesterday, my obvious choice of restaurant was Wasabi House. There's really nothing obviously distinctive about Wasabi House: it's neither super-commercial nor "hole in the wall," there are appropriately Japanese people working and appropriately Japanese decorations on the walls, and the front of the place has a large cutting board, several large knives, and lots of rice and dead fish.
The thing that stands out about Wasabi House is the quality of their most basic types of sushi. Sure, they've got their house specials (one of which is something delicious called "dragon roll" that is certainly worth trying), and it's not hard to pour effort into one or two rolls and make them outstanding. Where Wasabi House becomes wonderful is in things like spicy tuna and spider roll. Every self-respecting sushi place has these... and yet, at Wasabi House, they're just better than anywhere else I've tried. Again, I believe that any sushi fan probably has the same opinion of their favorite place, and that brings me to a question. How do you differentiate high-quality sushi? If it's amazingly good at everywhere you try (and I'll be the first to admit that there probably are places as awesome as Wasabi House), how do you determine what's truly the best?
Following the Asian food theme, after a particularly difficult Problem 3 on a diff eq exam earlier this week, a few friends and I went to a place called Spoon. "Wait... that doesn't sound Asian!" No, it really doesn't, which is why this really is a paradox of a restaurant. It's clear that this restaurant is torn between wanting to cater to some sort of trendy urban crowd and wanting to sell high-quality Thai food. I'm not exactly trendy, so I can't comment on the former, but the latter is a resounding success.
First, a bit about the atmosphere. We've got a nonsensical English name, a full bar featuring American alcohol, and decor and background music that appear to have been inspired from Sprockets. And for all that, the quality of Thai food for the money is excellent. The menu is simple, serving Thai dishes for eleven dollars each (Pad Thai is cheaper, and there are a few more expensive seafood options) and all of the ones that I tasted were delicious. I had chicken Panang, which was basically chicken and vegetables in some chili-coconut sauce (granted, that's an accurate description of about half the Thai dishes out there), and there's no question that I'd order it again.
Now let's talk about "authenticity." A lot of snobs would probably complain that I wasn't eating "authentic" Thai cuisine. The same people would likely argue that my favorite Chinese place, Big Joy, isn't really Chinese. So my question here is define authenticity. One common criterion is "you know a Chinese restaurant is 'authentic' when you see Chinese people eating there." Or for particular dishes: a dish isn't "authentic" unless it originated in China. So look at Maggiano's, a popular (and delicious) Italian restaurant. I've seen Chinese people eating there, but I'm not sure if I've ever seen any actual Italians there... does this mean Maggiano's isn't authentic? Italian people don't really eat lasagna and chicken parmesan?
If you've been looking at what I've been listening to the past few weeks, it's been Christmas music. 'Tis the season, after all. Here are three of my favorites:
What's It Gonna Be, Santa? is probably the best contemporary Christmas CD out there. It has a mix of secular and religious, mostly well-known music but a few originals, too. Of course I'm biased toward Chicago being a trumpet player: most music can be greatly improved with a little brass added. Surprisingly, I've heard some of this music on the radio lately, where it is a refreshing alternative to hip-hop Christmas and 40's crooning. One note in particular: "Child's Prayer" from this CD is one of the only situations I can think of in which I don't mind children singing.
If you're looking for traditional Christmas music, there's really no place to go better than the ASO under the direction of Robert Shaw. Both The Many Moods of Christmas and Christmas with the ASO are among the best in this subgenre, with Many Moods featuring more well-known music and Christmas with the ASO showcasing orchestral music befitting the season. The ASO's renditions of "O Come, O Come Emanuel" and "Adeste Fideles" are both particularly worth listening to.
And if you ever have the chance to hear the ASO do it live, the Morehouse Glee Club's "Betelehemu" is absolutely not to be missed.
Currently listening: "Three Doors," VAST
Saturday, December 09, 2006
Reading... for fun?
I like to read. It's just that going to Tech does not afford one much time to read much of anything. So when my literate friends ask me what I've been reading lately, I'm usually forced to respond with Physics for Scientists and Engineers or suchlike trash. Dead week being what it is, though, I've finally found time to read a book that's not describing the wonders of electromagnetic induction and how to calculate Faraday's Law integrals. My friend Nick gave me Everything is Illuminated by Jonathan Safran Foer ("a most ingenious Jew") as a Christmas gift last year... and I'm just now getting around to reading it. This book so far is one of the more entertaining books I've read recently, and Alex is becoming one of my favorite book characters ever, ranking right up there with such notables as Jaime from Song of Ice and Fire and Mr. Lockwood from Wuthering Heights.
I currently have Everything is Illuminated on my desk. Last week, one of my residents comes into the room and sees that I have the book. He points to it and says "You could have asked. I have the book." I have no idea what he's talking about, but I take the bait. "Why would I have asked you if I had that book?" "So you wouldn't have to buy it." "Actually, I didn't buy it, it was given to me as a gift... but why would I want to know if you had it?" At this point, I'm more confused than I'd been since 11 am, when Physics II lecture let out that day. And another resident comes into my room.
"Oh, you're reading that for English class," he says, more presumption than question. "No, I'm not." "Why are you reading it then?" "Well, because my friend gave it to me... and he thought I'd enjoy it?" Now the first guy explains his unorthodox line of questioning: "Yeah, I thought you were reading it for English, too. That's why I said you could have borrowed it for me." "No, I'm reading it on my own," I reply, a bit more emphatically. "A good friend of mine said I'd enjoy it, and it's supposed to be a good book."
Shouldn't that be enough?
Currently listening: What's it Gonna Be, Santa?, Chicago
I currently have Everything is Illuminated on my desk. Last week, one of my residents comes into the room and sees that I have the book. He points to it and says "You could have asked. I have the book." I have no idea what he's talking about, but I take the bait. "Why would I have asked you if I had that book?" "So you wouldn't have to buy it." "Actually, I didn't buy it, it was given to me as a gift... but why would I want to know if you had it?" At this point, I'm more confused than I'd been since 11 am, when Physics II lecture let out that day. And another resident comes into my room.
"Oh, you're reading that for English class," he says, more presumption than question. "No, I'm not." "Why are you reading it then?" "Well, because my friend gave it to me... and he thought I'd enjoy it?" Now the first guy explains his unorthodox line of questioning: "Yeah, I thought you were reading it for English, too. That's why I said you could have borrowed it for me." "No, I'm reading it on my own," I reply, a bit more emphatically. "A good friend of mine said I'd enjoy it, and it's supposed to be a good book."
Shouldn't that be enough?
Currently listening: What's it Gonna Be, Santa?, Chicago
Wednesday, November 22, 2006
A Rainy Night in Midlands
The other week, Shreya and I figured out how rain works, on a particularly bleak rainy day walking out of Woody's. So there's air with some amount of moisture dissolved in it. That moisture is measured in terms of "relative humidity," i.e., how much of the saturation value of water there currently is. Saturation is dependent on one thing only: vapor pressure of water at a given temperature, such that when the partial pressure of water in the gas phase in the air equals that vapor pressure, the air is saturated.
So that's all fine and good, but how does it explain rain? The answer owes to the psychrometric chart, a hideous monstrosity of curves and grids that can probably tell you the answer to the life, the universe, and everything if you say the magic incantation and find the intersection of any one of about twelve tie lines. One especially useful property (only involving about four lines at a time) is if you cool the air enough, you hit a saturation curve and begin condensing water as you cool further. Everyone knows from their friendly 6 o'clock weatherman that a cold front brings precipitation... and now I know why.
Another interesting property is red dye fading at a rate disproportional to other colors of dye. Emily attempted some relativist INTA explanation that "our society has a limited definition of red compared to other colors." I countered with a (help me, God) physics answer of red being close to the end of the visible spectrum. Of course, violet does not experience the same dye as would be expected from also being at the end of the visible spectrum, so there goes my theory. Eventually we settled on the fact that red is the least abundant of naturally occurring colors, so there is most likely an atmospheric reason that our environment is unkind to redness. Anyone know what this is?
Emily has a point, though. As much as I despise thinking in terms of "society," colors are completely subjective. We've got green and blue next to each other on the spectrum. Those are definitionally different colors. But there are (infinitely many) colors between the two of them. Who decides that "forest green" gets called "green," "sky blue" is "blue," and "turquoise" is somewhere in a chromatic no-man's land, neither green nor blue?
Finally, I bought a copy of the Baghavad Gita from some guy on Skiles who was doing yoga and fundraising for something or another. Theology is a wonderful thing, and it pains me to realize that this book is probably number six or so on my List of Books to Read. Maybe I can make some progress over Christmas?
Currently listening: The Many Moods of Christmas, Robert Shaw
So that's all fine and good, but how does it explain rain? The answer owes to the psychrometric chart, a hideous monstrosity of curves and grids that can probably tell you the answer to the life, the universe, and everything if you say the magic incantation and find the intersection of any one of about twelve tie lines. One especially useful property (only involving about four lines at a time) is if you cool the air enough, you hit a saturation curve and begin condensing water as you cool further. Everyone knows from their friendly 6 o'clock weatherman that a cold front brings precipitation... and now I know why.
Another interesting property is red dye fading at a rate disproportional to other colors of dye. Emily attempted some relativist INTA explanation that "our society has a limited definition of red compared to other colors." I countered with a (help me, God) physics answer of red being close to the end of the visible spectrum. Of course, violet does not experience the same dye as would be expected from also being at the end of the visible spectrum, so there goes my theory. Eventually we settled on the fact that red is the least abundant of naturally occurring colors, so there is most likely an atmospheric reason that our environment is unkind to redness. Anyone know what this is?
Emily has a point, though. As much as I despise thinking in terms of "society," colors are completely subjective. We've got green and blue next to each other on the spectrum. Those are definitionally different colors. But there are (infinitely many) colors between the two of them. Who decides that "forest green" gets called "green," "sky blue" is "blue," and "turquoise" is somewhere in a chromatic no-man's land, neither green nor blue?
Finally, I bought a copy of the Baghavad Gita from some guy on Skiles who was doing yoga and fundraising for something or another. Theology is a wonderful thing, and it pains me to realize that this book is probably number six or so on my List of Books to Read. Maybe I can make some progress over Christmas?
Currently listening: The Many Moods of Christmas, Robert Shaw
Monday, October 30, 2006
Your Layout Sucks Almost As Much As Halloween
Interestingly enough, this problem tends to be less prevalent on Blogger (or any other web journal system) than on Myspace. Notice that, upon trying to go to someone's profile, the first thing you see is an obnoxious-colored background. Then the awesome background photo loads at the same time the text shows up... too bad the background photo is mostly black and white, and the text on the page is one or the other. Before we get to the "links you can never click on because someone decided it would be an excellent idea to make them turn to bold when you mouse over them," though, you have to get through "rendition of how to make a frame that makes half your text go off the page and create a God-awful horizontal scroll bar at the bottom."
This dovetails nicely into skinnable apps. To paraphrase (or maybe quote directly) Jick from the Kingdom of Loathing, "I hate skinnable apps." There is just nothing that gets me less excited about programs than the fact that you can change what the scroll bars and menus look like. Aesthetics are important, undoubtedly, but infinite customizability is simply unnecessary. When we're paying more attention to what color the title bar is than to what the program actually does, priorities have become a little misplaced.
Take Windows, for example. Windows looks perfectly nice as is. If you don't like the colors, Windows has taken the time to include ways to change them. But if I tried to estimate the sheer number of desktop themes that are out there... I'd be estimating for more than a little while. I don't even care about my background, to tell you the truth; it's usually something amusing, or if I'm not amused by that anymore, it's probably just some neutral image. And yet, there are a preponderance of people out there who find it absolutely necessary to change not only colors and desktop images, but icons, folder backgrounds, and icon fonts. (Don't even get me started on multiple user accounts.)
I don't like Halloween. I haven't since I was about thirteen, when I discovered that I kind of looked dumb dressing up as some random video game character and begging for candy, and I probably won't again until maybe I have kids of my own who are into it. Ask me for my opinion of Halloween in fifteen years, and I may have a handful more insights and thoughts. As of now, if I really want candy, there's a handy Publix a few blocks down from the bookstore which I have on good faith sells a fair bit of the stuff. I have never been one for dressing up (though I've grown to accept the tie as of late) and seriously, even if I wanted to dress up, what do guys dress up as? Something scary? Not a fan. A superhero? Also not a fan. Girls evidently take Halloween as an excuse to dress up sluttily, especially into college age. Whatever.
All in all, Halloween is a holiday on which people do ridiculous things based off even more ridiculous superstitions. (The cynical atheist will probably say that same thing regarding Christmas or Hanukkah.) And yet... it's got a great deal of cultural gravity associated with it, as much as say Thanksgiving, which is based off something real.
Currently listening: The Unauthorized Biography of Reinhold Messner, Ben Folds Five
This dovetails nicely into skinnable apps. To paraphrase (or maybe quote directly) Jick from the Kingdom of Loathing, "I hate skinnable apps." There is just nothing that gets me less excited about programs than the fact that you can change what the scroll bars and menus look like. Aesthetics are important, undoubtedly, but infinite customizability is simply unnecessary. When we're paying more attention to what color the title bar is than to what the program actually does, priorities have become a little misplaced.
Take Windows, for example. Windows looks perfectly nice as is. If you don't like the colors, Windows has taken the time to include ways to change them. But if I tried to estimate the sheer number of desktop themes that are out there... I'd be estimating for more than a little while. I don't even care about my background, to tell you the truth; it's usually something amusing, or if I'm not amused by that anymore, it's probably just some neutral image. And yet, there are a preponderance of people out there who find it absolutely necessary to change not only colors and desktop images, but icons, folder backgrounds, and icon fonts. (Don't even get me started on multiple user accounts.)
I don't like Halloween. I haven't since I was about thirteen, when I discovered that I kind of looked dumb dressing up as some random video game character and begging for candy, and I probably won't again until maybe I have kids of my own who are into it. Ask me for my opinion of Halloween in fifteen years, and I may have a handful more insights and thoughts. As of now, if I really want candy, there's a handy Publix a few blocks down from the bookstore which I have on good faith sells a fair bit of the stuff. I have never been one for dressing up (though I've grown to accept the tie as of late) and seriously, even if I wanted to dress up, what do guys dress up as? Something scary? Not a fan. A superhero? Also not a fan. Girls evidently take Halloween as an excuse to dress up sluttily, especially into college age. Whatever.
All in all, Halloween is a holiday on which people do ridiculous things based off even more ridiculous superstitions. (The cynical atheist will probably say that same thing regarding Christmas or Hanukkah.) And yet... it's got a great deal of cultural gravity associated with it, as much as say Thanksgiving, which is based off something real.
Currently listening: The Unauthorized Biography of Reinhold Messner, Ben Folds Five
Wednesday, October 18, 2006
Petty Annoyances
You know those little things that just irritate you? There's not necessarily a good, solid reason for any of them; you just know that if all of them stopped, you'd be okay with it. I'm not talking major obstacles like Physics II or Being a Poor College Student; I mean actions, behaviors, and patterns that you find obnoxious. A handful of these have begun to grate on my nerves as of late.
That annoying leg-bounce thing that mostly guys do (but some girls do as well). You're sitting in Differential Equations (granted, a setting that does need a bit of livening up), you notice that there seems to be an overabundance of movement in the room... and you realize that it's because the six guys seated near you are all bouncing their legs up and down really fast. Sometimes it's both legs, sometimes one or the other. Sometimes it's keeping the heel on the ground and bouncing the toe, but more often it's a heel bounce. Okay, guys. There's absolutely no reason to do this. If you're really that antsy, head to the CRC after class. Drink one less cup of coffee before you come. Take this as an opportunity to kick that cocaine habit... something.
Darfur is a geopolitical issue that I think everyone feels similarly regarding, but that activists feel the need to carry on about anyway. "Genocide? That's no good! How do I show the world that I'm an opponent of genocide?" Conveniently, there have been a large number of feel-good "student solidarity" groups that have popped up on Facebook lately. One of the most prominent is one that promises a monetary donation for every so many people to join. Hate to break it to you, but you're no Lech Walesa. Really, I don't think there are any proponents of genocide, except probably the guys doing the genocide. And what does it mean to "donate [money] to Darfur"? Are you going to put some dollars in an envelope, write "Darfur" on it, and hope the area of the country accepts its gift? If you're donating to people, what exactly are they going to do with your money? Bribe a couple of warlords not to keep genociding? It's great that people are informed about world events, don't get me wrong. But what exactly is hanging signs that say "Gee, there seems to be a bit of a genocide issue in Sudan!" going to do? By stating your mere awareness of an armed conflict there... where are you going? What do you reasonably expect anyone in power to actually do?
Possibly going hand in hand with the "lack of intellectualism" that I always complain about, negativity seems to be prevalent at Tech. It's one thing to joke about "the Shaft" but another entirely to lament how much everything sucks, all the time. If something doesn't go your way, here's a little heuristic that generally works. "Can I really do anything about this?" If yes, stop complaining and do it. If no, get over it. It's as simple as that. It gets old when you're trying to maintain a positive attitude, and others are complaining how much of an "idiot" everyone else is. A sort of corollary to this is use of "retarded" to mean "undesirable." As in "Do we really have to have this done by Friday?" "Yes." "That's so retarded!" Well, no, it isn't. It's unfortunate, it's irritating, it's annoying, but it isn't slowed by a hindered andvancement. (Also, as you probably can't change the deadline, there's nothing you can do about it anyway, so stop complaining.)
In the event that I think of more things that annoy me, I'll post them. Comments on these, or examples of what annoys you, are encouraged.
Currently listening: "Chicken Head," Project Pat
That annoying leg-bounce thing that mostly guys do (but some girls do as well). You're sitting in Differential Equations (granted, a setting that does need a bit of livening up), you notice that there seems to be an overabundance of movement in the room... and you realize that it's because the six guys seated near you are all bouncing their legs up and down really fast. Sometimes it's both legs, sometimes one or the other. Sometimes it's keeping the heel on the ground and bouncing the toe, but more often it's a heel bounce. Okay, guys. There's absolutely no reason to do this. If you're really that antsy, head to the CRC after class. Drink one less cup of coffee before you come. Take this as an opportunity to kick that cocaine habit... something.
Darfur is a geopolitical issue that I think everyone feels similarly regarding, but that activists feel the need to carry on about anyway. "Genocide? That's no good! How do I show the world that I'm an opponent of genocide?" Conveniently, there have been a large number of feel-good "student solidarity" groups that have popped up on Facebook lately. One of the most prominent is one that promises a monetary donation for every so many people to join. Hate to break it to you, but you're no Lech Walesa. Really, I don't think there are any proponents of genocide, except probably the guys doing the genocide. And what does it mean to "donate [money] to Darfur"? Are you going to put some dollars in an envelope, write "Darfur" on it, and hope the area of the country accepts its gift? If you're donating to people, what exactly are they going to do with your money? Bribe a couple of warlords not to keep genociding? It's great that people are informed about world events, don't get me wrong. But what exactly is hanging signs that say "Gee, there seems to be a bit of a genocide issue in Sudan!" going to do? By stating your mere awareness of an armed conflict there... where are you going? What do you reasonably expect anyone in power to actually do?
Possibly going hand in hand with the "lack of intellectualism" that I always complain about, negativity seems to be prevalent at Tech. It's one thing to joke about "the Shaft" but another entirely to lament how much everything sucks, all the time. If something doesn't go your way, here's a little heuristic that generally works. "Can I really do anything about this?" If yes, stop complaining and do it. If no, get over it. It's as simple as that. It gets old when you're trying to maintain a positive attitude, and others are complaining how much of an "idiot" everyone else is. A sort of corollary to this is use of "retarded" to mean "undesirable." As in "Do we really have to have this done by Friday?" "Yes." "That's so retarded!" Well, no, it isn't. It's unfortunate, it's irritating, it's annoying, but it isn't slowed by a hindered andvancement. (Also, as you probably can't change the deadline, there's nothing you can do about it anyway, so stop complaining.)
In the event that I think of more things that annoy me, I'll post them. Comments on these, or examples of what annoys you, are encouraged.
Currently listening: "Chicken Head," Project Pat
Friday, October 06, 2006
Why Labels Do Not Matter
Mr. Morford is being a little antagonistic and egging me on to post. Truth is, he's right; I do have something to talk about. So I'm by and large a big Decemberists fan. I like their music, and so I was very excited by their new release The Crane Wife. Of course, the big news wasn't that one of the most inventive and original bands of the decade had a new release; no, it was that this release was on a *major label*. The Decemberists were abandoning Kill Rock Stars! Soon the Second Angel would pour forth his vial upon the sea, right?
As it turns out, no, not so much. The Decemberists, though their new album falls a bit short of true brilliance, aptly debunk one of the great principles of the Indie Music school of thought: any given collection of music is automatically better when released on anything but a major label. Because except for a few missteps, The Crane Wife is probably their best album to date. So guess what? The transition to Columbia didn't make them suddenly suck.
This CD starts with "The Crane Wife Part 3," which is actually the last third of the musical adaptation of the Japanese folk tale of the same name. You're probably familiar with it, so listen carefully to the lyrics so you can catch the story. This first song is moving and emotional, and it's musically satisfying. About three minutes into it, I started thinking "If this whole album is this good, then we've got something amazing on our hands."
Then I heard "The Island."
I'm not going to lie, I'm surprised I didn't start breathing heavily when I heard this one for the first time. As a huge fan of "The Tain," of course I was ecstatic to find what basically amounts to "The Tain's Little Brother" in the middle of a full length album. I'm not going to talk much about this track, but suffice it to say that it's almost twelve minutes of pure brilliance from start to finish. And any band who can incorporate a Tempest allusion and a "Whiskey in the Jar" tribute within a few minutes of each other is something special indeed.
"Yankee Bayonet" is very good, taking us to the Civil War via a folky male-female duet. "O Valencia!" is unfortunately less good. There's nothing wrong with it musically, and it's put together very well, but it just toes the line of "not interesting." How many modern-day retellings of Romeo and Juliet do we really need? And how many stories of lost love can the Decemberists churn out? "The Crane Wife" and "Yankee Bayonet" are both love-lost stories, but more sincere and inventive than "O Valencia!" It's not a bad song per se, but there are about four tracks I would have picked ahead of this one to make the first single out of.
Then we really get into the doldrums of the album. "The Perfect Crime #2" is sadly the inevitable track that's going to give Mr. I'm-Better-Than-You-Because-I-Discovered-This-Band-Before-You-Even-
Knew-Indie-Music-Existed a little ammunition to cry out his "Holy crap, the Decemberists suck now just because they're on a major label" lament. There are a handful of people who will defend this song; I fail to see its musical merit. I feel like half the song is Colin repeating the words "The perfect, the perfect, the perfect, the perfect crime" over and freaking over again. Even if that's not the exact proportion, the fact that it seems like that makes it a bad piece of music. It's frustratingly repetitive and not at all imaginative, which is not something I ever thought I would say about a Decemberists song.
Next, we hear "When the War Came," which nobody but me seems to have any issue with. Maybe I'm biased against the horrendously bad trumpet lick in the chorus, but that combined with the insistent banging of the guitar riff just results in a musically jarring song. Luckily, now, the album begins its ascent back into good musical quality. I have to say that I'm not a huge fan of "Shankill Butchers" either, but it's certainly better than the two tracks preceeding it. The fact that it's based off real events is cool, and the musical atmosphere created by the song--a sort of unsettling and creepy bedtime tune--definitely works given the subject matter. But this song, more than any other on the album, just lacks energy. It doesn't go much of anywhere.
After all this, we're refreshed with the brilliance of "Summersong." This is an absolutely delightful song, as imagistic and lyrically deep as any of the Decemberists' best work. It works on a variety of levels, too: are these happy times that necessarily will end eventually? Or sad ones, in reminiscence of the better ones? What's getting swallowed by a wave: the summer itself, or some ideal that it represents? This is probably the best (non-twelve minute) track on the album: it's beautiful and catchy, and as deep as you want it to be.
"The Crane Wife 1 and 2" provides the first two thirds of the already-finished fable, and delivers well. Finally, "Sons and Daughters" is a light, hopeful, and optimistic song to end the album; it has the happy effect of leaving the message that there's always something to look forward to.
This album does add an interesting dynamic to the Decemberists fanbase. In the past, we had never seen a truly bad song from them. There were boring songs, and un-brilliant ones, certainly; never an awful one. So in the past we could tolerate an "Of Angels and Angles" in return for a "The Infanta." How many "The Perfect Crime #2"s are we willing to accept if we're going to get a "The Island" and a "Summersong" out of the deal?
All in all, with the notable exception of the middle two tracks, this album is definitely worth listening to. To remind everyone (Zach and Enrique, I know you're interested in going), Decemberists concert on the 27th, 9 pm, at the Tabernacle. It should be great.
Currently listening: Sam's Town, the Killers (review soon to follow)
As it turns out, no, not so much. The Decemberists, though their new album falls a bit short of true brilliance, aptly debunk one of the great principles of the Indie Music school of thought: any given collection of music is automatically better when released on anything but a major label. Because except for a few missteps, The Crane Wife is probably their best album to date. So guess what? The transition to Columbia didn't make them suddenly suck.
This CD starts with "The Crane Wife Part 3," which is actually the last third of the musical adaptation of the Japanese folk tale of the same name. You're probably familiar with it, so listen carefully to the lyrics so you can catch the story. This first song is moving and emotional, and it's musically satisfying. About three minutes into it, I started thinking "If this whole album is this good, then we've got something amazing on our hands."
Then I heard "The Island."
I'm not going to lie, I'm surprised I didn't start breathing heavily when I heard this one for the first time. As a huge fan of "The Tain," of course I was ecstatic to find what basically amounts to "The Tain's Little Brother" in the middle of a full length album. I'm not going to talk much about this track, but suffice it to say that it's almost twelve minutes of pure brilliance from start to finish. And any band who can incorporate a Tempest allusion and a "Whiskey in the Jar" tribute within a few minutes of each other is something special indeed.
"Yankee Bayonet" is very good, taking us to the Civil War via a folky male-female duet. "O Valencia!" is unfortunately less good. There's nothing wrong with it musically, and it's put together very well, but it just toes the line of "not interesting." How many modern-day retellings of Romeo and Juliet do we really need? And how many stories of lost love can the Decemberists churn out? "The Crane Wife" and "Yankee Bayonet" are both love-lost stories, but more sincere and inventive than "O Valencia!" It's not a bad song per se, but there are about four tracks I would have picked ahead of this one to make the first single out of.
Then we really get into the doldrums of the album. "The Perfect Crime #2" is sadly the inevitable track that's going to give Mr. I'm-Better-Than-You-Because-I-Discovered-This-Band-Before-You-Even-
Knew-Indie-Music-Existed a little ammunition to cry out his "Holy crap, the Decemberists suck now just because they're on a major label" lament. There are a handful of people who will defend this song; I fail to see its musical merit. I feel like half the song is Colin repeating the words "The perfect, the perfect, the perfect, the perfect crime" over and freaking over again. Even if that's not the exact proportion, the fact that it seems like that makes it a bad piece of music. It's frustratingly repetitive and not at all imaginative, which is not something I ever thought I would say about a Decemberists song.
Next, we hear "When the War Came," which nobody but me seems to have any issue with. Maybe I'm biased against the horrendously bad trumpet lick in the chorus, but that combined with the insistent banging of the guitar riff just results in a musically jarring song. Luckily, now, the album begins its ascent back into good musical quality. I have to say that I'm not a huge fan of "Shankill Butchers" either, but it's certainly better than the two tracks preceeding it. The fact that it's based off real events is cool, and the musical atmosphere created by the song--a sort of unsettling and creepy bedtime tune--definitely works given the subject matter. But this song, more than any other on the album, just lacks energy. It doesn't go much of anywhere.
After all this, we're refreshed with the brilliance of "Summersong." This is an absolutely delightful song, as imagistic and lyrically deep as any of the Decemberists' best work. It works on a variety of levels, too: are these happy times that necessarily will end eventually? Or sad ones, in reminiscence of the better ones? What's getting swallowed by a wave: the summer itself, or some ideal that it represents? This is probably the best (non-twelve minute) track on the album: it's beautiful and catchy, and as deep as you want it to be.
"The Crane Wife 1 and 2" provides the first two thirds of the already-finished fable, and delivers well. Finally, "Sons and Daughters" is a light, hopeful, and optimistic song to end the album; it has the happy effect of leaving the message that there's always something to look forward to.
This album does add an interesting dynamic to the Decemberists fanbase. In the past, we had never seen a truly bad song from them. There were boring songs, and un-brilliant ones, certainly; never an awful one. So in the past we could tolerate an "Of Angels and Angles" in return for a "The Infanta." How many "The Perfect Crime #2"s are we willing to accept if we're going to get a "The Island" and a "Summersong" out of the deal?
All in all, with the notable exception of the middle two tracks, this album is definitely worth listening to. To remind everyone (Zach and Enrique, I know you're interested in going), Decemberists concert on the 27th, 9 pm, at the Tabernacle. It should be great.
Currently listening: Sam's Town, the Killers (review soon to follow)
Sunday, September 17, 2006
If 100,000 people comment on this post...
then I'll be surprised by the volume of commentary that Isoceleria has achieved. A bit honored, but overwhelmingly surprised. So here's the deal. If you're a member of the college Facebook-conscious crowd, you probably witnessed the phenomenon of Threesome Dude, aka Brody Ruckus, in the last couple of weeks. If not, here's a quick rundown.
Early September 2006, a Facebook group appears advertising "If this group reaches 100,000 members, my girlfriend will have a threesome." Your personal ethics and mores nonwithstanding, that's a pretty ambitious goal. And one that the Facebook community was perfectly eager to support. The literal hockey-stick growth of this group was nothing less than astounding. A couple thousand members one day, tens of thousands the next, and over 100,000 in a mere few days. Then the landmark was changed: 300,000 members, and he gets to take pictures. Then he got that. The next watershed was supposed to be "Largest group on Facebook lets me shoot videos!" And then, the group pulled a Roanoake.
Next day, it was gone. No more Threesome Guy, no more Universal Goal of Happiness and Unity for Facebook to shoot for, and not even a scrawled Croatoan in its place. Now, its fractious remains stand: "I didn't need a facebook group to get a threesome," "I will blow up my car if this group reaches 500,000 members," etc. So what happened to Mr. Ruckus and his "red-blooded college male" aspirations? Apparently they were not real. And neither was Brody himself.
The whole thing was a put-on, an act, sponsored by Ruckus music. This group, weighing in at nearly 500,000 members at last count, certainly put a strain on the servers. And when Facebook realized that "Brody Ruckus" was not, in fact, a Georgia Tech student, they pulled the plug (more to free resources than out of any spite). So how does Ruckus itself tie into anything? Ruckus gives you free music, legally. Except... wait, you can't burn CDs of what you download, and you can't put their music on an iPod or other sort of mp3 player, and you have to use Ruckus's crappy media player to be able to listen to what you download. Ah, but if you pay a certain rate per song, you have the liberty to do that. Free indeed. Evidently Ruckus has a contract with Georgia Tech that permits this enlightened era of free (except in certain circumstances) music downloading (but not burning or transferring to an iPod). It was supposed to be a big deal. But. judging from popular opinion, most everyone realized how much it sucks and has not used it. Thus the need for Threesome Guy.
So Ruckus has a less-than-accepted music service, and a wildly popular fake Facebook group. How to connect the two? Obviously, with the effort and foresight that Ruckus put into Brody, there's no real "exit strategy." We're not going to have Brody reach the ultimate goal of largest Facebook group, then say "Thanks, guys," and leave with everyone feeling good about themselves. There's still no connection between the product and the advertisement. On the other side of the spectrum, we're not going to have a "Haha, suckers! This has been an advertisment all along!" because that would leave a whole lot of people thinking not such good thoughts about Ruckus. Hardly the desired effect of an advertisement.
The question, then, is what was the real plan? My theory is that it lies in a tenuous, but still existing, thread between the group and Ruckus music. Let's assume for a moment that Brody, if he hadn't been shut down, would have eventually reached his largest group status. So now, time for the videos to get posted to Facebook! These videos, of course, don't exist, but that's okay. Uploading them, of course, would have caused a violation of the Facebook Terms of Service, but that's better than okay. That's the whole point. Brody tells us, "Wow, guys, you are amazing, and so was the sex. Unfortunately, these prudes at Facebook won't let me post the pictures and video." Aww... how sad! People are generally down on Facebook at this point, not seeming to care that they agreed to this silly thing called a "contract" when they joined, and they demand reparations. Facebook won't give them any. (Note that Brody and Facebook would not have had to have any contact at all. This whole "fight" is another part of the ruse.) So enter Ruckus.
The great and magnanimous Ruckus, sensitive to the sexually-frustrated plight of the college student, then tells everyone in the group "We can't give you free porn... but here's some free music." Now, Ruckus is a hero, and everyone in the group goes from being Brody Ruckus fans to simply Ruckus fans. Adbertising mission accomplished.
Currently listening: Quiet is the New Loud, Kings of Convenience
Early September 2006, a Facebook group appears advertising "If this group reaches 100,000 members, my girlfriend will have a threesome." Your personal ethics and mores nonwithstanding, that's a pretty ambitious goal. And one that the Facebook community was perfectly eager to support. The literal hockey-stick growth of this group was nothing less than astounding. A couple thousand members one day, tens of thousands the next, and over 100,000 in a mere few days. Then the landmark was changed: 300,000 members, and he gets to take pictures. Then he got that. The next watershed was supposed to be "Largest group on Facebook lets me shoot videos!" And then, the group pulled a Roanoake.
Next day, it was gone. No more Threesome Guy, no more Universal Goal of Happiness and Unity for Facebook to shoot for, and not even a scrawled Croatoan in its place. Now, its fractious remains stand: "I didn't need a facebook group to get a threesome," "I will blow up my car if this group reaches 500,000 members," etc. So what happened to Mr. Ruckus and his "red-blooded college male" aspirations? Apparently they were not real. And neither was Brody himself.
The whole thing was a put-on, an act, sponsored by Ruckus music. This group, weighing in at nearly 500,000 members at last count, certainly put a strain on the servers. And when Facebook realized that "Brody Ruckus" was not, in fact, a Georgia Tech student, they pulled the plug (more to free resources than out of any spite). So how does Ruckus itself tie into anything? Ruckus gives you free music, legally. Except... wait, you can't burn CDs of what you download, and you can't put their music on an iPod or other sort of mp3 player, and you have to use Ruckus's crappy media player to be able to listen to what you download. Ah, but if you pay a certain rate per song, you have the liberty to do that. Free indeed. Evidently Ruckus has a contract with Georgia Tech that permits this enlightened era of free (except in certain circumstances) music downloading (but not burning or transferring to an iPod). It was supposed to be a big deal. But. judging from popular opinion, most everyone realized how much it sucks and has not used it. Thus the need for Threesome Guy.
So Ruckus has a less-than-accepted music service, and a wildly popular fake Facebook group. How to connect the two? Obviously, with the effort and foresight that Ruckus put into Brody, there's no real "exit strategy." We're not going to have Brody reach the ultimate goal of largest Facebook group, then say "Thanks, guys," and leave with everyone feeling good about themselves. There's still no connection between the product and the advertisement. On the other side of the spectrum, we're not going to have a "Haha, suckers! This has been an advertisment all along!" because that would leave a whole lot of people thinking not such good thoughts about Ruckus. Hardly the desired effect of an advertisement.
The question, then, is what was the real plan? My theory is that it lies in a tenuous, but still existing, thread between the group and Ruckus music. Let's assume for a moment that Brody, if he hadn't been shut down, would have eventually reached his largest group status. So now, time for the videos to get posted to Facebook! These videos, of course, don't exist, but that's okay. Uploading them, of course, would have caused a violation of the Facebook Terms of Service, but that's better than okay. That's the whole point. Brody tells us, "Wow, guys, you are amazing, and so was the sex. Unfortunately, these prudes at Facebook won't let me post the pictures and video." Aww... how sad! People are generally down on Facebook at this point, not seeming to care that they agreed to this silly thing called a "contract" when they joined, and they demand reparations. Facebook won't give them any. (Note that Brody and Facebook would not have had to have any contact at all. This whole "fight" is another part of the ruse.) So enter Ruckus.
The great and magnanimous Ruckus, sensitive to the sexually-frustrated plight of the college student, then tells everyone in the group "We can't give you free porn... but here's some free music." Now, Ruckus is a hero, and everyone in the group goes from being Brody Ruckus fans to simply Ruckus fans. Adbertising mission accomplished.
Currently listening: Quiet is the New Loud, Kings of Convenience
Tuesday, September 12, 2006
Initiation and Triumphal Return
Saturday, August 26, 2006: I tell my friend Matt, also a staff member in Glenn, that he probably couldn't guess the strange place where I was the night before. Interestingly, he guessed Beta, which is probably the frattiest fraternity on the Tech campus. While this was an imaginative guess, and in fact in some respects stranger than where I ended up, it was in fact not correct.
Where I was, it turns out, was the Masquerade. The Masquerade is a concert venue in Atlanta that has a part-merited but mostly undeserving reputation for utter degeneracy. (Broken windows and decades-unpainted walls don't exactly help its case.) Concert venue? Not at all strange for a college student. Shady concert venue? Not too strange, considering its prime downtown Atlanta location. The truly strange part was the concert that I was actually seeing.
The friend of mine that organized the venture told me "Zao is toward the hardcore end of metal." Toward? "Okay, so they pretty much are the hardcore end of metal." Add them to a headliner band called Throwdown and (without any description of any music that Throwdown plays) you have a decent image of that concert. Though there are many adjectives that could be used to describe me, "hardcore" probably isn't toward the top of that list. And neither is it toward the top of my musical preferences. The truth was, I had nothing better to be doing that Friday night, and as long as I had friends who were being proactive and constructing something to do, why not go along with it? College is about experiencing things that you'd never ordinarily do... or something like that.
My immediate conclusions regarding the concert were 1) "hardcore" still isn't at the top of my musical preferences and 2) I'm not sure that it's worth it to pay twenty bucks to hear some guy go "Gaaaaaah! Wahh rahh rahh rahh!" into a microphone for three hours. However, a chance encounter at the same Masquerade but a few weeks later added a few thoughts about live concerts in general.
This time, I was going as a favor to a friend who (understandably) didn't want to get raped in downtown Atlanta. Add the facts that this time, the ticket is twelve dollars, not twenty, and I get to spend Friday night with three girls (in a welcomed inversion of the typical Georgia Tech ratio), and I'm there. This one featured a handful of bands that were listenable but unremarkable (see? I don't even remember their names), and headlined by Red Jumpsuit Apparatus. Now, I had heard the name Red Jumpsuit Apparatus, but I'd never heard their music, and I was far from being able to actually recognize any of their songs. Oh well.
My first impression was a lot better than the one I had at the first concert, because more than one in twenty people were wearing something other than black. In fact, the people here actually looked... dare I say normal? Contrast this to Green Mohawk Guy at the first one. And despite the apparent normalcy at this one, the two were remarkably similar.
Okay, so straight off the bat, mosh pits don't make any sense. Various descriptions of these collected over the past couple of weeks have included "barbarian ritual," "emo kids practicing karate kicks," and by a member of some band or another, "dance moves." I remarked how strange it was that "dance moves" translates into "run into each other as fast as you can." Closely related is crowdsurfing, which basically appears to be "get alternately manhandled and groped while not even being able to stand on your own two feet." The strangest part of these pheonmena is the fact that you can't watch the band while you're doing them. Isn't the point of going to a live concert being able to see the band that's performing? Sure, you can give the "a live show is so much higher energy" argument. But how do you notice that "energy" if you're not paying attention in the first place, instead choosing to change the venue into a gladiatorial arena-sumo wrestling ring hybrid.
With that said, let's examine the "energy" assertion a bit more. Live performances are supposed to be more energetic, closer to a "pure" performance than a recorded one. Is this suggesting that during private practices and shows where the band is not out to prove anything or impress anyone, the guitarists jump around and spin on the stage? I've got a tough time believing that. And I'm forced to conclude that guitar-dancing adds virtually nothing to a live show.
My final and biggest complaint is that people in bands take themselves way too seriously. Is it necessary to swear at the audience between every song? I might be encouraged to jump or nod my head in time with the music if you suggest that... but I'm rather inclined not to when I'm instructed to "nod my [insert expletive here]-ing head!" The lead singer of Red Jumpsuit Apparatus seemed rather put off by the fact that not everyone in the world had been listening to them for the last two years. Apparently some interviewer made the grave mistake of asking him what it felt to be an overnight sensation. His (private) response to us was "We've been around for years. Do your [expletive]ing homework." And a huge cheer from the crowd!
That said... Decemberists concert October 27. Probably no mosh pit there. Anyone interested in going?
Currently listening: "Fantasy," Earth Wind and Fire
Where I was, it turns out, was the Masquerade. The Masquerade is a concert venue in Atlanta that has a part-merited but mostly undeserving reputation for utter degeneracy. (Broken windows and decades-unpainted walls don't exactly help its case.) Concert venue? Not at all strange for a college student. Shady concert venue? Not too strange, considering its prime downtown Atlanta location. The truly strange part was the concert that I was actually seeing.
The friend of mine that organized the venture told me "Zao is toward the hardcore end of metal." Toward? "Okay, so they pretty much are the hardcore end of metal." Add them to a headliner band called Throwdown and (without any description of any music that Throwdown plays) you have a decent image of that concert. Though there are many adjectives that could be used to describe me, "hardcore" probably isn't toward the top of that list. And neither is it toward the top of my musical preferences. The truth was, I had nothing better to be doing that Friday night, and as long as I had friends who were being proactive and constructing something to do, why not go along with it? College is about experiencing things that you'd never ordinarily do... or something like that.
My immediate conclusions regarding the concert were 1) "hardcore" still isn't at the top of my musical preferences and 2) I'm not sure that it's worth it to pay twenty bucks to hear some guy go "Gaaaaaah! Wahh rahh rahh rahh!" into a microphone for three hours. However, a chance encounter at the same Masquerade but a few weeks later added a few thoughts about live concerts in general.
This time, I was going as a favor to a friend who (understandably) didn't want to get raped in downtown Atlanta. Add the facts that this time, the ticket is twelve dollars, not twenty, and I get to spend Friday night with three girls (in a welcomed inversion of the typical Georgia Tech ratio), and I'm there. This one featured a handful of bands that were listenable but unremarkable (see? I don't even remember their names), and headlined by Red Jumpsuit Apparatus. Now, I had heard the name Red Jumpsuit Apparatus, but I'd never heard their music, and I was far from being able to actually recognize any of their songs. Oh well.
My first impression was a lot better than the one I had at the first concert, because more than one in twenty people were wearing something other than black. In fact, the people here actually looked... dare I say normal? Contrast this to Green Mohawk Guy at the first one. And despite the apparent normalcy at this one, the two were remarkably similar.
Okay, so straight off the bat, mosh pits don't make any sense. Various descriptions of these collected over the past couple of weeks have included "barbarian ritual," "emo kids practicing karate kicks," and by a member of some band or another, "dance moves." I remarked how strange it was that "dance moves" translates into "run into each other as fast as you can." Closely related is crowdsurfing, which basically appears to be "get alternately manhandled and groped while not even being able to stand on your own two feet." The strangest part of these pheonmena is the fact that you can't watch the band while you're doing them. Isn't the point of going to a live concert being able to see the band that's performing? Sure, you can give the "a live show is so much higher energy" argument. But how do you notice that "energy" if you're not paying attention in the first place, instead choosing to change the venue into a gladiatorial arena-sumo wrestling ring hybrid.
With that said, let's examine the "energy" assertion a bit more. Live performances are supposed to be more energetic, closer to a "pure" performance than a recorded one. Is this suggesting that during private practices and shows where the band is not out to prove anything or impress anyone, the guitarists jump around and spin on the stage? I've got a tough time believing that. And I'm forced to conclude that guitar-dancing adds virtually nothing to a live show.
My final and biggest complaint is that people in bands take themselves way too seriously. Is it necessary to swear at the audience between every song? I might be encouraged to jump or nod my head in time with the music if you suggest that... but I'm rather inclined not to when I'm instructed to "nod my [insert expletive here]-ing head!" The lead singer of Red Jumpsuit Apparatus seemed rather put off by the fact that not everyone in the world had been listening to them for the last two years. Apparently some interviewer made the grave mistake of asking him what it felt to be an overnight sensation. His (private) response to us was "We've been around for years. Do your [expletive]ing homework." And a huge cheer from the crowd!
That said... Decemberists concert October 27. Probably no mosh pit there. Anyone interested in going?
Currently listening: "Fantasy," Earth Wind and Fire
Sunday, September 03, 2006
Three Reasons
That Georgia Tech lost to Notre Dame. It had nothing to do with the Irish being a substantially better team; rather a mere few points of contention brought about our loss.
First, Tech’s return coverage sucks. I mean, you get a kickoff that lands nicely on the 15-yard line, or a punt that goes farther than you have any right to expect it to, and suddenly the Irish (or the Bulldogs, the Hokies, the Cavaliers, or any other team that Tech makes a general practice of losing to) are on your 48. Huh? Tech must get better at making sure the other team isn’t handed thirty free yards every time the ball gets kicked.
Second, we had some questionable calls. I’m not one to blame my football misfortunes on the refs… unless there was a call so egregiously bad that it may have cost the game. In this game, we had two. The personal foul call during Notre Dame’s second touchdown drive? I’ve heard two explanations for that one: late hit, and hit to the head. From my vantage point (and bias as a Tech fan) it looked like an in-bound, clean hit to me. Even if there was some incidental contact to the head, it was just that: incidental. Five-yard penalty, not ten. Second was Calvin Johnson’s reception late in the game. This was the only reviewed play in the entire game to be reversed on review… and I’d really like to see what they called “indisputable video evidence.”
Finally... Darius Walker. Need I say more? And to think he was on the verge of going to Tech.
Currently listening: "Brand New Colony," the Postal Service
First, Tech’s return coverage sucks. I mean, you get a kickoff that lands nicely on the 15-yard line, or a punt that goes farther than you have any right to expect it to, and suddenly the Irish (or the Bulldogs, the Hokies, the Cavaliers, or any other team that Tech makes a general practice of losing to) are on your 48. Huh? Tech must get better at making sure the other team isn’t handed thirty free yards every time the ball gets kicked.
Second, we had some questionable calls. I’m not one to blame my football misfortunes on the refs… unless there was a call so egregiously bad that it may have cost the game. In this game, we had two. The personal foul call during Notre Dame’s second touchdown drive? I’ve heard two explanations for that one: late hit, and hit to the head. From my vantage point (and bias as a Tech fan) it looked like an in-bound, clean hit to me. Even if there was some incidental contact to the head, it was just that: incidental. Five-yard penalty, not ten. Second was Calvin Johnson’s reception late in the game. This was the only reviewed play in the entire game to be reversed on review… and I’d really like to see what they called “indisputable video evidence.”
Finally... Darius Walker. Need I say more? And to think he was on the verge of going to Tech.
Currently listening: "Brand New Colony," the Postal Service
Saturday, August 12, 2006
Supporting Documents to the Agenda
Firstly, I apologize for lack of posts and generally being unavailable lately. Training will soon be over, and then things will proceed to a more regular and intuitive schedule.
Now, I have two documents. The first is a throwback to the days of middle and early high school, when email/journal quizzes were something of a phenomenon. I, at one time, took the liberty of compiling as many of these as I could find into one huge quiz. An "uber-quiz," if you will. While not intended to provide a complete (or even serious, at times) portrait of the Author, it's got enough truth to surprise and enough lies to amuse. It has been added to the sidebar, as well as being available here.
The second is an essay concerning the nature of morality, good, and evil in the video game Earthbound. If you've never played the game, it may not make a great deal of sense, and if you've got a problem with citing Wikipedia as a legimate resource, then just pretend I found the books that Wikipedia cites rather than have taken the convenient route of getting the same information from the internet. This essay can be found here.
Currently listening: "Soul Meets Body," Death Cab for Cutie
Now, I have two documents. The first is a throwback to the days of middle and early high school, when email/journal quizzes were something of a phenomenon. I, at one time, took the liberty of compiling as many of these as I could find into one huge quiz. An "uber-quiz," if you will. While not intended to provide a complete (or even serious, at times) portrait of the Author, it's got enough truth to surprise and enough lies to amuse. It has been added to the sidebar, as well as being available here.
The second is an essay concerning the nature of morality, good, and evil in the video game Earthbound. If you've never played the game, it may not make a great deal of sense, and if you've got a problem with citing Wikipedia as a legimate resource, then just pretend I found the books that Wikipedia cites rather than have taken the convenient route of getting the same information from the internet. This essay can be found here.
Currently listening: "Soul Meets Body," Death Cab for Cutie
Monday, July 31, 2006
If this one's not good enough
Many readers of this blog know (probably thanks to my speculation post after its season finale) that I'm a fan of the television show Lost. It's well done as a drama in that the characters and their interactions are actually interesting; it's well done as a suspense because the "what's going on on this island?" is genuinely something the viewers want to know. Unfortunately, summer = no Lost, so the producers et al. came up with the "half content, half marketing" gimmick called the Lost Experience.
The Experience is an "alternate reality game" that addresses some of the still-unresolved mysteries of the television show. I've been playing the game with sort of low to moderate involvement; I like to see the content as it comes up, but I'm rarely on the forefront of discovering that content. I just don't have time to scour the appropriate websites to find the clues. But some people do, and I'm grateful toward them so I can leech off their progress. Brief aside concerning that progress: the game is currently in Act 3 of either 3 or 5 (Holy Grail reference nonwithstanding). Right now, the point is to collect video fragments across the internet to form one supervideo that will "tear the Hanso foundation apart." As of now, I think Bearded Dude is Alvar Hanso, and that this Orientation video is concerning the Valenzetti equation. Mittlewerk is showing that same video to his savants, who are working with some unknown but urgent stimulus to solve the equation. Finally, the Numbers are either solutions or critical components of that same equation; that's why they keep showing up.
Anyway, one of those people who does a lot of everyone's work for them is a guy who calls himself Matt the Pale. Mr. Pale recently posted a long, scathing, and controversial rant saying how TLE was "not an alternate reality game" because too much was spoon-fed to the players, there were too many missed opportunities to impress the fanbase, etc. He said that his only motivation for continuing to play is a morbid curiosity. I think that's a load of crap, because if he really didn't care, then he'd sit back and watch the game from afar rather than continue to be its most prominent player. On the other hand, though, if anyone is entitled to make such a complaint, it would be him.
The point here is that he listed Perplex City as an example of what an alternate reality game is really supposed to be like. I checked it out... and I'm stunned. Puzzles, ranging from "match these dinosaur names to their skeletons" to "give a proof of the Riemann zeta function" lead the players to clues of who stole the Receda cube. There's a ton of backstory, characters, podcasts, and real-world events to back it all up. I'm really excited about playing this game, and I only wish that I could have discovered it before a year after it was released.
Currently listening: How to Save a Life, the Fray
The Experience is an "alternate reality game" that addresses some of the still-unresolved mysteries of the television show. I've been playing the game with sort of low to moderate involvement; I like to see the content as it comes up, but I'm rarely on the forefront of discovering that content. I just don't have time to scour the appropriate websites to find the clues. But some people do, and I'm grateful toward them so I can leech off their progress. Brief aside concerning that progress: the game is currently in Act 3 of either 3 or 5 (Holy Grail reference nonwithstanding). Right now, the point is to collect video fragments across the internet to form one supervideo that will "tear the Hanso foundation apart." As of now, I think Bearded Dude is Alvar Hanso, and that this Orientation video is concerning the Valenzetti equation. Mittlewerk is showing that same video to his savants, who are working with some unknown but urgent stimulus to solve the equation. Finally, the Numbers are either solutions or critical components of that same equation; that's why they keep showing up.
Anyway, one of those people who does a lot of everyone's work for them is a guy who calls himself Matt the Pale. Mr. Pale recently posted a long, scathing, and controversial rant saying how TLE was "not an alternate reality game" because too much was spoon-fed to the players, there were too many missed opportunities to impress the fanbase, etc. He said that his only motivation for continuing to play is a morbid curiosity. I think that's a load of crap, because if he really didn't care, then he'd sit back and watch the game from afar rather than continue to be its most prominent player. On the other hand, though, if anyone is entitled to make such a complaint, it would be him.
The point here is that he listed Perplex City as an example of what an alternate reality game is really supposed to be like. I checked it out... and I'm stunned. Puzzles, ranging from "match these dinosaur names to their skeletons" to "give a proof of the Riemann zeta function" lead the players to clues of who stole the Receda cube. There's a ton of backstory, characters, podcasts, and real-world events to back it all up. I'm really excited about playing this game, and I only wish that I could have discovered it before a year after it was released.
Currently listening: How to Save a Life, the Fray
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